Ever Changing Film | 20220719


Ever Changing Film | Behind the scenes Now Take a Bow Edition Sep 27 2010 | Project Jonathan Puckey & Roel Wouters and co-workers – nowtakeabow•nl – with music by Touki Delphine | 20220719 | 1-memo•com | Behind the scenes of the ever changing short film Now Take a Bow with online cutting room, crowdsourcing camera shots. Co-working around 00:16 GMT with A Free Dance’ scene online, playing a ‘leading role’ live recording some prerecorded ipod dance clips, for edition Mon 27 Sep 2010 030006 GMT of Now Take a Bow (shown partly in this film from 31 sec) by filmmakers Jonathan Puckey & Roel Wouters, Holland, Sep 27 2010. Celebrating the KORT! 10th anniversary (NTR) ….
the process is the product | Conditional Design Manifesto by Luna Maurer, Edo Paulus, Jonathan Puckey, Roel Wouters Links
studiomoniker•com
puckey•studio

TAGS #crowdsource #dance #scene #lead #leading actor #everchangingshortfilm #NowTakeaBow #premiere #short #film #JonathanPuckey #RoelWouters #ToukDelphine #KORT #NTR #Holland #filmmaker #portfolio #1Memo #MiraclesMedia #michelvanderburg

Filmmakers Meeting Corfu Old Town | 20211102

Filmmakers Meeting Corfu Old Town | 20211102 | 1-memo•com | Meet up with Corfiot composer, filmmaker, Μαρία Μπούα (Maria Boua) in the Old Town of Kerkira, Corfu, Greece, last month October … here at the Venetian Well, crossing the former Jewish Quarter.

TAGS #filmmaker #filmmusic #music #composer #MariaBoua #ΜαρίαΜπούα #meetup #water #rain #rainfall #street #square #ghetto #Jew #JewishQuarter #holocaust #VenetianWell #town #Corfu #island #Mediterranean #Greece #Kerkyra #Kerkira #Korfu #Ionian #autumn #1Memo #michelvanderburg

QUATRE-MAINS Filmmaker Lander Haverals | 20210913

QUATRE-MAINS Filmmaker Lander Haverals | 20210913 | Miracles•Media | Q&A with Lander Haverals at the Belgian pre-premiere of ‘QUATRE-MAINS’ Sep 12, 2021 in Studio SILO (De chinezen) in Leuven, Belgium.

Child of victims and child of perpetrators, yet they became friends for life. Simon Gronowski and Koenraad Tinel lost almost everything in World War II, but found each other.

Documentary by Lander Haverals and Simon Demeulemeester, and producer Neelke Nijs | De chinezen. @landerhaverals

TAGS #QUATREMAINS #LanderHaverals #SimonDemeulemeester #SimonGronowski #KoenraadTinel #documentary #premiere #QA #filmmaker #Dechinezen #Leuven #Belgium #SILO #holocaust #1Memo #michelvanderburg #MiraclesMedia

NL Transcript (added Sep 14th)

Welkom.
We gaan de film QUATRE-MAINS vertonen.
Dat is een film die ik samen gemaakt heb met co-regisseur Simon Demeulemeester.
Simon is journalist voor de Knack [ Belgian (Flemish) weekly news magazine ].
Die heeft mij aangesproken, met een toch wel heel merkwaardig verhaal, vond ik zelf.
Het verhaal van Koenraad Tinel en Simon Gronowski.
Die allebei jonge gastjes waren, toen in Wereldoorlog II…
en van een heel andere afkomst, de oorlog hebben meegemaakt.
En daar vandaag de dag over getuigen, over de toch wel bijzondere vriendschap.
… De film zoveel mogelijk uit te puren,
omdat het verhaal daar om vroeg.
Om het eigenlijk zo simpel, eenvoudig, en puur mogelijk te vertellen.
Oordeel vooral zelf, of dat het gelukt is.
Dan gaan we nu de film kijken.
QUATRE – MAINS
En ze gaan met hun verhaal ook veel rond hè…
naar lezingen, naar scholen…
Koenraad als kunstenaar.
Welnu , er komt nog een boek nu , in het najaar.
Het is eigenlijk daardoor dat we deze film gemaakt hebben. Dat komt komt in het najaar 2022.
[ Publiek ] Door wie is dat dan geschreven?
Door Simon Demeulemeester, die ook met de film geholpen heeft.
[ Publiek ] Ah ! Die van Knack, ja.
Die van Knack, ja.
In Amerika wordt de film al op festivals getoond.
[ Publiek ] Je hebt al een prijs hè!
In Frankrijk is het beste Europese film geworden.
[ Best European Independent Film 2021 op het ÉCU festival ]
Maar in Belgie dus nog niet [vertoond].
Hij wordt gedistribueerd door Dalton Distribution…
en de bedoeling is dat we hem uitbrengen samen met het boek.

EN CC Translation (added Sep 14th)

Welcome.
We are going to show the film QUATRE-MAINS.
That is a film I made together with co-director Simon Demeulemeester.
Simon is a journalist for the Knack [ Belgian (Flemish) weekly news magazine ].
He came to me with a very remarkable story, I thought.
The story of Koenraad Tinel and Simon Gronowski.
Both were young lads, back in World War II…
and of very different origins, experienced the war.
And testify about that today, about the special friendship.
… To purify the film as much as possible,
because the story called for it.
To actually tell it as simple, and pure as possible.
Decide for yourself whether it worked or not.
Now let’s watch the movie.
QUATRE – MAINS
And they go around with their story a lot too…
to lectures, to schools…
Koenraad as an artist.
Well, there’s also a book coming, in the fall.
That’s actually why we made this film.
That will come in the fall of 2022.
[ Audience ] Who wrote that then?
By Simon Demeulemeester, who also helped with the film.
[ Audience ] Ah ! That [journalist] from Knack, yes.
From Knack, yes.
[ Belgian (Flemish) weekly news magazine ]
The film is already being shown at festivals in America.
[ Audience ] You already got a prize, don’t you!
In France it has become the best European film.
[ Best European Independent Film 2021 at the ÉCU festival ]
But not yet [screened] in Belgium.
It is distributed by Dalton Distribution…
and the intention is that we release it together with the book.

QUATRE-MAINS Filmmaker Lander Haverals
Report (20210913) Miracles•Media
Q&A with Lander Haverals at the Belgian pre-premiere of ‘QUATRE-MAINS’.

Westerbork Film Football Edit | Edition 2021 | 20210517

Westerbork Film Football Edit | Edition 2021 | 20210517

SILENT FILM

The UNESCO – Memory of the World – ‘ Westerbork films’ dossier (REF 1) consists of both the actual film footage, as well as a dossier with the 1944 film plan, film script, title cards (intertitles), and a file with correspondence between the camp and the outside world on obtaining camera’s , film and film processing. That film footage was researched and presented before on Settela•com.

In a recent post (Westerbork Film Intertitles | 20210515; REF 2) the drawings for the title cards were shown in a short film I made, that also showed a few seconds of Breslauer’s archive film footage demonstrating that not all of his Westerbork Film is a compilation of rushes only -he also had done some experiments filming and animating title cards. Aside from that, the film was not edited, and title cards were not yet inserted.

Today, working on presenting that 1944 film plan and script, I noticed in that editing script (all written in the German language) the instruction “Untertitel: ( in einen rollenden Fussball einkopiert ) Appelplatz am Sonntag Nachmittag.” , in English : ‘Subtitle: copied into a rolling football – roll call area on Sunday afternoon’. That is the text on one of these title cards I worked with, and I had seen Breslauer’s filming and slow-motion experiments with a rolling football, on that same F1014 reel that was used for his animation tests (REF 3). This has been described also in the 1997 dutch Westerbork film dossier analysis by Broersma & Rossing (REF 4) – a book I studied 2 years ago – and details I re-discovered later today. Tomorrow these authors will present a new edition (dutch), available later this month.
Breslauer never got the chance to try copying that title card on the rolling ball – I did today : a little digital experiment of copying that title card Appellplatz am Sonntag Nachmittag on the rolling ball. Just 4 seconds, repeated 4 times in this little film : Westerbork Film Football Edit.

TAGS #Westerborkfilm #animation #script #Appellplatz #1Memo #MiraclesMedia #michelvanderburg #Holland #Netherlands #CampWesterbork #Settela #RudolfBreslauer #UNESCO #NIOD #holocaust #intertitle #titlecard #titelkaart #documentary #file #drawing #Jew #Roma #Westerbork #remake #postproduction #postwar #edit

Below on website only – because of space and linking constraints on social media – the links, references, sources, credits :

References

1 – UNESCO Memory of the World Register – Unesco.org – Mémoire du monde – Le film de Westerbork (accessed 20190605) URL http://www.unesco.org/new/fr/communication-and-information/memory-of-the-world/register/full-list-of-registered-heritage/registered-heritage-page-9/westerbork-films/

2- Westerbork Film Intertitles | 20210515 | Michel van der Burg | Settela•Com  (accessed 2021 May 17) URL: https://wp.me/p91enH-3e

3 – Unknown Westerbork Film Reel…F1014 | 20190616 | Michel van der Burg | Settela•Com  (accessed 2021 May 15) URL: https://wp.me/p91enH-2b

4 – ‘Kamp Westerbork gefilmd’ by Koert Broersma and Gerard Rossing (editors Dirk Mulder and Ben Prinsen; ISBN 9023232658). Note, a new edition will be available May 2021 (editor Gorcum B.V., Koninklijke van; ISBN 9789023257622 ) – not yet published.

Notes : Both Appelplatz and Appellplatz are used in German and in script and title card

Credit

Thanks to ‘Kamp Westerbork gefilmd’ by Koert Broersma and Gerard Rossing (editors Dirk Mulder and Ben Prinsen; ISBN 9023232658). Note, a new edition will be available May 2021 (editor Gorcum B.V., Koninklijke van; ISBN 9789023257622 )

Title card source : NIOD Institute for War, Holocaust and Genocide Studies | 250i Westerbork, Judendurchgangslager | 854 Stukken over de Westerbork-film, 7 maart – 20 april 1944 en z.d. | File retrieved May 23, 2019 from Nationaal Archief (last accessed 2021 Apr 17) URL https://www.archieven.nl/nl/search-modonly?mivast=298&mizig=210&miadt=298&micode=250i&milang=nl&mizk_alle=westerbork%20film&miview=inv2#inv3t2

Film footage source : Filmed by Rudolf Breslauer, retrieved from : Unknown Westerbork Film Reel…F1014 | 20190616 | Michel van der Burg | Settela•Com  (accessed 2021 May 17) URL: https://wp.me/p91enH-2b

Westerbork Film Football Edit | Edition 2021 | 20210517 | Michel van der Burg | Settela•Com

Updates

20220604 – Format changes credit line , references

Westerbork Film Intertitles | 20210515

Westerbork Film Intertitles | 20210515 | Michel van der Burg | Settela•com

SILENT FILM

Westerbork Films Dossier

The UNESCO – Memory of the World – ‘ Westerbork films’ dossier (REF 1) consists of both the actual film footage, as well as a dossier with the 1944 film plan, film script, title cards (intertitles), and a file with correspondence between the camp and the outside world on obtaining camera’s , film and film processing. That film footage was researched and presented before on Settela•com.

These Westerbork film documents – the film script etc – complement the Westerbork film footage presented earlier – a first full version (RVD) of the Westerbork Film posted in 2019 (20190605) and the complete UNESCO album of all known footage shot by inmate Werner Rudolf Breslauer in the Westerbork camp in 1944, posted early 2020 (REF 2).
The final part of the UNESCO registry (Le film de Westerbork – édité le 8 mai 2017 – ID code 2016-118 ) lists all the documents on the Westerbork Film at the NIOD Institute for War, Holocaust and Genocide Studies.
That NIOD archive file — called (translated) : Directing, texts and correspondence of the film “Westerbork” consists of a file containing the original screenplay or script for the film, title cards, notes, correspondence and administration . That entire file has been scanned (total of 60 black and white scans) and is available online.
More information on the history and origin of the film translated from the french UNESCO registration is posted later.

Title Cards

Here, in this short film, the title cards are presented. Title cards referenced in the UNESCO registry, and prepared in the camp in 1944 for the Westerbork film. The name of the artist drawing these cards is not known, I guess. Digital scans of 11 different letter cards were retrieved from the public online archive of the NIOD Institute for War, Holocaust and Genocide Studies at the dutch National Archive (Nationaal Archief) – full info in CREDITS.

Film Sections

In this film these title cards are used in different ways, shown in 5 sections. The arrangement of the cards was chosen by me.

1 : ‘ORIGINALS’ – TRANSLATION IN SUBTITLES – The first section shows english subtitles with the restored scan images of the orignal drawings made in Camp Westerbork. The restoration includes exposure adjustment, crop, and if necessary rotation and flip horizontal or vertical of the supplied scans.

2: NEGATIVES – The second section shows the same images, now as negatives (white on black), the way title cards are usually shown in movies, and Breslauer did too while working on the Westerbork Film – see below on section 4.

3) The 3rd sequence of the title cards shows the negatives again, now animated with cross-overs (fade in- and out) between the negatives.
Trickaufnahmen – trick shots – was mentioned in the film plan (discussed further in a later post). Trick shots like slow-motion and similar animation work by Breslauer is actually found on the Westerbork film reel F1014 with so-called ‘Residual material’. This was previously reported in the 1997 edition of the book ‘Kamp Westerbork gefilmd’ by Broersma & Rossing (REF 3). That reel’s footage, to me feels like this was Breslauer’s working material for tests – so a test reel, rather than rest reel.

4 : BRESLAUER’S 1944 ANIMATION TEST – This 4th segment shows the above discussed footage of Breslauer’s test work with a title card’s negative on film, as well as his animation of cards with numbers of ‘input’ and outgoing deportations. That animation uses drawings , images , not found in the NIOD archive – showing statistics for deportations to Bergen-Belsen 3029 , and Lager Vught 897 . This Westerbork film footage was retrieved from : Unknown Westerbork Film Reel…F1014 (20190616) Michel van der Burg | Settela.com (REF 4).

5 : ANIMATION COLLAGE – Here I combined the animation made in section 3 of this film, with the 1944 animation footage of Breslauer – all edited here again to conform.

TAGS #Westerborkfilm #animation #titelkaart #1Memo #MiraclesMedia #michelvanderburg #Holland #Netherlands #CampWesterbork #Settela #RudolfBreslauer #UNESCO #NIOD #holocaust #intertitle #titlecard #documentary #file #drawing #Jew #Roma #Westerbork

References

1 – UNESCO Memory of the World Register – Unesco.org – Mémoire du monde – Le film de Westerbork (accessed 20190605) URL http://www.unesco.org/new/fr/communication-and-information/memory-of-the-world/register/full-list-of-registered-heritage/registered-heritage-page-9/westerbork-films/

2 – WESTERBORK FILMS COLLECTION – UNESCO ALBUM | 20200120 | Michel van der Burg | Settela•Com  (accessed 2021 May 15) URL: https://settela.com/2020/01/20/westerbork-films-collection-unesco-album/

3 – ‘Kamp Westerbork gefilmd’ by Koert Broersma and Gerard Rossing (editors Dirk Mulder and Ben Prinsen; ISBN 9023232658

4 – Unknown Westerbork Film Reel…F1014 | 20190616 | Michel van der Burg | Settela•Com (accessed 2021 May 15) URL: https://wp.me/p91enH-2b

Credit

Source : NIOD Institute for War, Holocaust and Genocide Studies | 250i Westerbork, Judendurchgangslager | 854 Stukken over de Westerbork-film, 7 maart – 20 april 1944 en z.d. | File retrieved May 23, 2019 from Nationaal Archief (last accessed 2021 Apr 17) URL https://www.archieven.nl/nl/search-modonly?mivast=298&mizig=210&miadt=298&micode=250i&milang=nl&mizk_alle=westerbork%20film&miview=inv2#inv3t2

Westerbork Film Intertitles | 20210515 | Michel van der Burg | Settela•Com

Updates

20220604 – Format changes credit line , references

Meet Up Simon Gronowski, Karen & Richard Bloom | 20210511


Meet Up Simon Gronowski, Karen & Richard Bloom | 20210511 | michelvanderburg•com | Miracles•Media

Finally meeting Karen Lynne and Richard Bloom in the flesh visiting together the Jewish Cultural Quarter in Amsterdam May 10, 2014 – after years of working together ‘in the cloud’ only – just like today’s lockdown – from opposite sides of the ocean, on our film documentary « Transport XX to Auschwitz » .
Next day – May 11, 2014 – we all went to the Kazerne Dossin museum in Mechelen, Belgium – to meet up with Simon Gronowski – who I filmed on several occasions and locations telling his story since April 2011 …

… A continuing project for 10 years now – the Miracles Project. More on sites michelvanderburg•com and Miracles•Media .

TAGS #TransportXX #SimonGronowski #KazerneDossin #1Memo #MiraclesMedia #michelvanderburg #RichardBloom #KarenLynne #filmmaker #Holland #Belgium #Amsterdam #Mechelen #synagogue #JewishCulturaQuarter #holocaust #MiraclesProject #Auschwitz #escape #meeting #flyer #deportation #rescue #resistance

Animal Cinema


Animal Cinema short film screening in Shorts at Sea aboard The Musette ship cruising along Fort Lauderdale’s Intracoastal Waterway at the 33rd Fort Lauderdale International Festival (FLiFF), Nov. 12, 2018. I had no idea what I was filming (had not seen the program) but here some impressions of the astonishing images filmed both from behind the screen and in front. More from behind the screen posted dd 20181123 in ‘Screen’ – Link https://1-memo.com/2018/11/23/screen/ .
Animal Cinema is a film by Emilio Vavarella , composed of fragments of videos of animals operating cameras. All cameras were stolen by animals who acted autonomously.
More info at the site of Emilio Vavarella http://emiliovavarella.com/animal-cinema/ .

Animal Cinema ~ Screening : Animal Cinema by Emilio Vavarella | 33rd Fort Lauderdale International Film Festival ~ Film : 20201117 Michel van der Burg | 1-memo•com | Miracles•Media