Happy Angel | 20210103 | 1-memo•com
Porch of inn (Gasthof) with Magdalena chapel at a cross-country skiing track at 1634 m in the Alpen in Lüsens , Tyrol, Austria, Jan 2, 2009.
TAGS #1Memo #michelvanderburg #Austria #Tyrol #Alpen #Lüsens #crosscountry #skiing #crafts #art #wood #snow #chapel #inn #Magdalena #angel #star
Christmas carols by the Church Choir Igls-Lans on the village square in the little mountain town Igls (Innsbruck, Tyrol) Austria at the traditional Bergweihnacht the 23rd of december, here in 2008.
Christmas Carols ~ Music : Kirchenchor Igls-Lans – Bergweihnacht Igls Dec 23, 2008 ~ Film : 20201223 Michel van der Burg | 1-memo•com | Miracles•Media
Arrival a foggy night December 2017 at 5PM in the little harbor town West-Terschelling on the Dutch Wadden island Terschelling , with the church bells striking 6PM one hour later in hotel NAP at the village square and the Brandaris lighthouse.
Arrival Terschelling Wadden Islet | 20201212 | Michel van der Burg | 1-memo•com
Image The Other ~
Expo ‘The Image of the Other’ filmed March 18, 2014 in the Brussels Bequinage church.
Imaging the Other , Imagining Danger. How are “others” depicted? Are stereotypes necessary or dangerous? Does the comparison with contemporary cartoons hold up?
“The Image of the Other wants to dwell on the image of the ‘Other’ : ‘the Black’, ‘the Jew’ , ‘the Turk’ , ‘the Heretic’. Examples from the Flemish and Dutch religious art from around 1450 – 1750 reflects this perception.
In art , the ‘Other’ is often stereotyped. Works of medieval or renaissance now give us the impression of being racist or discriminatory. But what about our newspapers and advertisements” Are they doing so much better?
The way in which the ‘Other’ is imagined should better not be underestimated as this could lead to serious consequences. For example, certain stereotypical views remain for decades and these biases can be part of our overall imaging. This process can even develop into structural racism. In that sense, there is a certain danger in the images of the other from the past. So we are quite critical of the thousands of images that we see every day.” — Quote from the installation ‘DE ANDERE VERBEELD / VERBEELD GEVAAR’ (The Image of the Other / Imaginary Danger) by ORBIT.
With this exhibition ORBIT wants to critically analyze our view of “the other”, past and present. ORBIT not only wants to dwell on the portrayal of ‘the other’ in Christian art, but also wants to dwell on today’s portrayal in the media. How are “others” depicted? Are stereotypes necessary or dangerous?
Thanks to Karen Wyckmans , Heritage Project Coordinator | Project “De Andere Verbeeld” (The Image of the Other) | ORBIT – http://www.orbitvzw.be . More info at site https://deandereverbeeld.wordpress.com .
Thanks also to priest Daniel Alliët – host of both the expo and the concurrent Afghan Refugee Camp (March 2014) in the Brussels Beguinage Church (Saint John the Baptist at the Béguinage – Église Saint-Jean-Baptiste au Grand Béguinage ) – now House of Compassion – http://www.houseofcompassion.brussels .
In the background sound of the Afghan Refugee Camp and the Béguinage church pipe organ played during music lessons by Félix Snyers and student.
From the Beguinage Project by Kristen Cattell (USA) and Michel van der Burg (Holland).
Film : Image The Other | 20200801 | Michel van der Burg | michelvanderburg.com | miracles.media
Entrance Afghan Refugee Camp in the Brussels Beguinage Church, March 2014. Bonjour Banner ~ Brussels Beguinage Church | 20200730 | 1-memo.com
Samir Hamdard ~ Afghan Refugee Camp Brussels Beguinage Church ~ In March 2014 Kristen Cattell (USA) and Michel van der Burg (Holland) traveled to Brussels, Belgium to meet a group of Afghans living inside an old Catholic church – the church of Saint John the Baptist at the Béguinage (Beguinage Church). At the time, nearly one hundred Afghan refugees had set up camp within the walls of the seventeenth century compound. We made a reportage and interviewed several people including Samir Hamdard (Ahmad Samir Hamdard) .
Samir the tireless activist of peace, justice and solidarity, was the spokesperson for the afghan refugees in Belgium – he died following a terrible fire accident that happened today a year ago (July 2019).
We thank Samir Hamdard and the other Afghan refugee friends who welcomed us and gave the interviews (note : full report of the other interviews in a follow-up later). Special thanks to Isabelle Marchal and others whose works were on display in the church and are shown in this film. Félix Snyers on the Béguinage church pipe organ.
Special thanks also to priest Daniel Alliët – host of the camp – who when retiring in 2019 started a new life for the church as House of Compassion – officially March 21 , 2020 – @houseofcompassionbrussels – http://www.houseofcompassion.brussels .
More about the Beguinage Project here http://bit.ly/1HZguvY and here https://michelvanderburg.com/?s=Beguinage
Reportage by Kristen Cattell (USA) and Michel van der Burg (Holland) | Beguinage Project .
Film : Samir Hamdard ~ Afghan Refugee Camp Brussels Beguinage Church | 20200729 | Michel van der Burg | michelvanderburg.com | miracles.media
Spinning Sails ~ Pinhole Film .
Personal anecdote (to a grandchild, told at the end of this film , in dutch) : “a great-great grandmother of me was caught and killed by such spinning sails (blades) of her windmill” nearby in South-Holland.
Pinhole videography (camera without a lens – just a pinhole) of the sails of the hollow post corn windmill ‘New Life’ (dutch : wipstelling korenmolen “Nieuw Leven”) in the little town Hazerswoude , Alphen, South-Holland, Netherlands.
Previously as a shorter – one minute – edition published : Windmill Sails | 20160410 | Michel van der Burg | 1-memo.com .
Filmed summer 2013 with a Olympus Micro Four Third camera (E-PM1) capped with the SLR Magic ‘Toy’ Pin Hole cap – f/128 aperture, 12mm focal length (24mm-equivalent), 84° angle view. Synchronized sound from Olympus LS-10 Linear PCM Recorder.
Spinning Sails ~ Pinhole Film | 20200710 | Michel van der Burg | 1-memo•com | miracles•media