Travellers | Holland 1923 | 20210529

Travellers | Holland 1923

Caravan dwellers in 1923 at the Binckhorsthoek site in The Hague, Holland.
Note the ‘license plate’ numbers G-932 from ’s-Gravenhage (The Hague) and H-491 from Haarlem town. Information from the dutch book :
Sinti en Roma in Den Haag (2021) Peter Jorna | Haags Gemeentearchief | haagsgemeentearchief•nl

Source video : Polygoon-Profilti (Producer | Jan 1, 1923) courtesy of Netherlands Institute for Sound and Vision (Open Images).

Travellers | Holland 1923 ~ Music : Creme Brulee by Ziv Moran | Artlist ~ Film : 20210529 | Michel van der Burg | settela•com

TAGS #Roma #Sinti #caravan #1Memo #MiraclesMedia #michelvanderburg #SettelaCom #Netherlands #Holland #TheHague #woonwagen #reiziger #music #traveller #wagon #Artlist #ZivMoran #PeterJorna #camp #site #Binckhorsthoek #play #child #police

Camp Prisoner Badge W-46 Kazerne Dossin


Camp Prisoner Badge W-46 Kazerne Dossin ~
A prisoner’s cardboard badge number W/46 from the SS administration of Kazerne Dossin. Jews earmarked for forced labour as prisoners in the SS Mechelen transit camp, the Dossin Barracks (Kazerne Dossin) carried a cardboard neck badge with “W” (Werk) followed by a number.
Interview with Janiv Stamberger (researcher Kazerne Dossin / University of Antwerp) filmed by Michel van der Burg (michelvanderburg.com) on August 18, 2016 at the Wiki Loves Art event in Kazerne Dossin , Mechelen , Belgium.

A still from this video (Image Ref.: mvdb20160818_182230) is available via Wikimedia  .
Note : I corrected the number (from 64 to 46) in the Wiki description today , but I am not able to change the number in the file name (and the listed camera metadata) on Wikimedia.

Camp Prisoner Badge W-46 Kazerne Dossin | 20200819 | Michel van der Burg | michelvanderburg.com | miracles.media

Image The Other


Image The Other ~
Expo ‘The Image of the Other’ filmed March 18, 2014 in the Brussels Bequinage church.

Imaging the Other , Imagining Danger. How are “others” depicted? Are stereotypes necessary or dangerous? Does the comparison with contemporary cartoons hold up?

Quote :
“The Image of the Other wants to dwell on the image of the ‘Other’ : ‘the Black’, ‘the Jew’ , ‘the Turk’ , ‘the Heretic’. Examples from the Flemish and Dutch religious art from around 1450 – 1750 reflects this perception.

In art , the ‘Other’ is often stereotyped. Works of medieval or renaissance now give us the impression of being racist or discriminatory. But what about our newspapers and advertisements” Are they doing so much better?

The way in which the ‘Other’ is imagined should better not be underestimated as this could lead to serious consequences. For example, certain stereotypical views remain for decades and these biases can be part of our overall imaging. This process can even develop into structural racism. In that sense, there is a certain danger in the images of the other from the past. So we are quite critical of the thousands of images that we see every day.” — Quote from the installation ‘DE ANDERE VERBEELD / VERBEELD GEVAAR’ (The Image of the Other / Imaginary Danger) by ORBIT.

With this exhibition ORBIT wants to critically analyze our view of “the other”, past and present. ORBIT not only wants to dwell on the portrayal of ‘the other’ in Christian art, but also wants to dwell on today’s portrayal in the media. How are “others” depicted? Are stereotypes necessary or dangerous?

Thanks to Karen Wyckmans , Heritage Project Coordinator | Project “De Andere Verbeeld” (The Image of the Other) | ORBIT – http://www.orbitvzw.be . More info at site https://deandereverbeeld.wordpress.com .
Thanks also to priest Daniel Alliët – host of both the expo and the concurrent Afghan Refugee Camp (March 2014) in the Brussels Beguinage Church (Saint John the Baptist at the Béguinage – Église Saint-Jean-Baptiste au Grand Béguinage ) – now House of Compassion – http://www.houseofcompassion.brussels .
In the background sound of the Afghan Refugee Camp and the Béguinage church pipe organ played during music lessons by Félix Snyers and student.
From the Beguinage Project by Kristen Cattell (USA) and Michel van der Burg (Holland).
Film : Image The Other | 20200801 | Michel van der Burg | michelvanderburg.com | miracles.media

Samir Hamdard ~ Afghan Refugee Camp Brussels Beguinage Church


Samir Hamdard ~ Afghan Refugee Camp Brussels Beguinage Church ~ In March 2014 Kristen Cattell (USA) and Michel van der Burg (Holland) traveled to Brussels, Belgium to meet a group of Afghans living inside an old Catholic church – the church of Saint John the Baptist at the Béguinage (Beguinage Church). At the time, nearly one hundred Afghan refugees had set up camp within the walls of the seventeenth century compound. We made a reportage and interviewed several people including Samir Hamdard (Ahmad Samir Hamdard) .
Samir the tireless activist of peace, justice and solidarity, was the spokesperson for the afghan refugees in Belgium – he died following a terrible fire accident that happened today a year ago (July 2019).

We thank Samir Hamdard and the other Afghan refugee friends who welcomed us and gave the interviews (note : full report of the other interviews in a follow-up later). Special thanks to Isabelle Marchal and others whose works were on display in the church and are shown in this film. Félix Snyers on the Béguinage church pipe organ.

Special thanks also to priest Daniel Alliët – host of the camp – who when retiring in 2019 started a new life for the church as House of Compassion – officially March 21 , 2020 – @houseofcompassionbrussels – http://www.houseofcompassion.brussels .

More about the Beguinage Project here http://bit.ly/1HZguvY and here https://michelvanderburg.com/?s=Beguinage

Reportage by Kristen Cattell (USA) and Michel van der Burg (Holland) | Beguinage Project .
Film : Samir Hamdard ~ Afghan Refugee Camp Brussels Beguinage Church | 20200729 | Michel van der Burg | michelvanderburg.com | miracles.media

Transport XX ~ Additional Brussels 2009 Footage

Transport XX ~ Additional Brussels 2009 Footage .
For this film I have chosen footage of my February 2009 video recordings that has not been used before in the making of the short film “TRANSPORT XX – installation Brussels” (and later productions based on that film) – works published online before since Apr 19, 2009 at my web site(s), and collected in this 1st post : https://michelvanderburg.com/2009/04/19/transport-xx-installation-brussels/

The TRANSPORT XX installation in Brussels was organised from 27 January to 15 March 2009 by the BELvue Museum in collaboration with the JMDR / Dossin Barracks (Kazerne Dossin – more info below).
The photographic portraits were displayed outside in the Royal park in Brussels (opposite the Royal Palace). In this way passers-by were confronted with 1,200 faces of the victims.
This event commemorated the release of Auschwitz-Birkenau (Poland) on 27 January 1945.

Made possible by: Project “Give them a Face” – Kazerne Dossin: Memorial, Museum and Documentation Centre on the Holocaust and Human Rights (Mechelen, BE); and the National State Archives of Belgium. Ministry of Justice, Public Safety Office, Foreigner’s Police, individual files. Film : 20200228 Michel van der Burg | michelvanderburg.com | miracles.media

Ashes Pond

Ashes Pond
An unforgettable moment for me that ‘touching the ash pond’ I filmed in the Auschwitz-Birkenau camp, were I was filming Simon Gronowski and Koenraad Tinel, May 2012, for the upcoming documentary film Miracles.
Into this pond were dumped the ashes of the people, who were murdered (gassed) and burned at the nearby crematorium.
Sharing this moment today for International Holocaust Remembrance Day 2020 to commemorate the 75th anniversary of the liberation of the Auschwitz camps. Courtesy of the Auschwitz-Birkenau State Museum in Oświęcim, Poland. Museum Auschwitz-Birkenau Camp in Poland, May 24th 2012.
Film : Ashes Pond (20200127) Michel van der Burg | miracles.media