Camp Prisoner Badge W-46 Kazerne Dossin ~
A prisoner’s cardboard badge number W/46 from the SS administration of Kazerne Dossin. Jews earmarked for forced labour as prisoners in the SS Mechelen transit camp, the Dossin Barracks (Kazerne Dossin) carried a cardboard neck badge with “W” (Werk) followed by a number.
Interview with Janiv Stamberger (researcher Kazerne Dossin / University of Antwerp) filmed by Michel van der Burg (michelvanderburg.com) on August 18, 2016 at the Wiki Loves Art event in Kazerne Dossin , Mechelen , Belgium.
A still from this video (Image Ref.: mvdb20160818_182230) is available via Wikimedia .
Note : I corrected the number (from 64 to 46) in the Wiki description today , but I am not able to change the number in the file name (and the listed camera metadata) on Wikimedia.
Camp Prisoner Badge W-46 Kazerne Dossin | 20200819 | Michel van der Burg | michelvanderburg.com | miracles.media
Image The Other ~
Expo ‘The Image of the Other’ filmed March 18, 2014 in the Brussels Bequinage church.
Imaging the Other , Imagining Danger. How are “others” depicted? Are stereotypes necessary or dangerous? Does the comparison with contemporary cartoons hold up?
Quote :
“The Image of the Other wants to dwell on the image of the ‘Other’ : ‘the Black’, ‘the Jew’ , ‘the Turk’ , ‘the Heretic’. Examples from the Flemish and Dutch religious art from around 1450 – 1750 reflects this perception.
In art , the ‘Other’ is often stereotyped. Works of medieval or renaissance now give us the impression of being racist or discriminatory. But what about our newspapers and advertisements” Are they doing so much better?
The way in which the ‘Other’ is imagined should better not be underestimated as this could lead to serious consequences. For example, certain stereotypical views remain for decades and these biases can be part of our overall imaging. This process can even develop into structural racism. In that sense, there is a certain danger in the images of the other from the past. So we are quite critical of the thousands of images that we see every day.” — Quote from the installation ‘DE ANDERE VERBEELD / VERBEELD GEVAAR’ (The Image of the Other / Imaginary Danger) by ORBIT.
With this exhibition ORBIT wants to critically analyze our view of “the other”, past and present. ORBIT not only wants to dwell on the portrayal of ‘the other’ in Christian art, but also wants to dwell on today’s portrayal in the media. How are “others” depicted? Are stereotypes necessary or dangerous?
Thanks to Karen Wyckmans , Heritage Project Coordinator | Project “De Andere Verbeeld” (The Image of the Other) | ORBIT – http://www.orbitvzw.be . More info at site https://deandereverbeeld.wordpress.com .
Thanks also to priest Daniel Alliët – host of both the expo and the concurrent Afghan Refugee Camp (March 2014) in the Brussels Beguinage Church (Saint John the Baptist at the Béguinage – Église Saint-Jean-Baptiste au Grand Béguinage ) – now House of Compassion – http://www.houseofcompassion.brussels .
In the background sound of the Afghan Refugee Camp and the Béguinage church pipe organ played during music lessons by Félix Snyers and student.
From the Beguinage Project by Kristen Cattell (USA) and Michel van der Burg (Holland).
Film : Image The Other | 20200801 | Michel van der Burg | michelvanderburg.com | miracles.media
Vincent ~ Auberge Ravoux in the village of Auvers-sur-Oise near Paris, France, photographed summer 1996.
Vincent van Gogh’s place the last 70 days of his life – in the Ravoux Inn with his tiny attic room , where he died in the early morning of 29 July 1890 – shot in the stomach (either by himself or by others).
Vincent ~ Music : Gymnopedie (Satie) by Ohad Ben Ari | Artlist ~ Film : 20200728 Michel van der Burg | 1-memo.com | miracles.media
Transit Brussels Centrale ~ Platform city centre train station in Brussels – also known as Gare Centrale (FR) or Brussel Centraal (NL), February 2020. Transit Brussels Centrale | 20200701 | 1-memo.com
Brussels Café Window ~ Rainy night outside Café À la Mort Subite (reflecting in the window) Feb. 2020 opposite the Brussels Campus of KU Leuven university and the Cat on a bike sculpture “La Cycliste” (Alain Séchas) in the center of Brussels. Brussels Café Window | 20200618 | 1-memo.com
Spontaneous ~ Quick pencil portrait on beermat – Spontaneous Desire – Feb. 2020 in A La Mort Subite by Jean-Pierre Gilissen – Dilettante et Collectionneur – in Brussels. Spontaneous | 20200617 | 1-memo.com
