Sennheiser MKE200 Windshield Review 3


Testing the included furry windshield accessory of the Sennheiser MKE 200 Microphone with a gentle breeze – 19 km/h – 12 mph – this week at sunset in the polders of the Green Heart of Holland, – using the Sony ZV-1 camera with in camera volume levels of 20, and 25 respectively. Also checking background sound from this directional, super-cardioid, microphone.
Sennheiser MKE200 Windshield Review 3 | 20200924 | Michel van der Burg | 1-memo.com

Review 2 of the MKE200 Sennheiser Microphone


Review 2 of the MKE200 Sennheiser Microphone .
Cows grazing and pissing during this test of the new compact Sennheiser MKE200 Microphone – not using the fuzzy windscreen – on top of the Sony ZV-1 camera , at sunset earlier this week in the polders of the Green Heart of Holland.
More of this testing with the MKE200 mic and using the windscreen , soon again. Review 2 of the MKE200 Sennheiser Microphone | 20200923 | 1-memo.com

Sennheiser MKE200 Microphone Review


Audio of the new Sennheiser MKE200 Microphone on top of the Sony ZV-1 camera .
For this first review I selected this final test I did tonight at sunset in the polders of the Green Heart of Holland— soon more of this testing with the MKE200 mic. Sennheiser MKE200 Microphone Review | 20200920 | 1-memo.com

The Wig Effect ~ Sony ZV1 Mic Review


Audio review of the new Sony ZV-1 / ZV1 camera , testing the internal microphone : demonstrating the ‘wig effect’ with the fuzzy windscreen.

The internal microphone clearly picks up far more noise from inside the camera, when covered with the supplied fuzzy windscreen , the wig … as filmmaker Philip Bloom first called it.

It is a noise I know well from using other cameras – the compact Sony T cameras – in underwater housings.

So , best to not use the wig on top of the ZV1 microphone , when not needed – like for indoor interviews.

The Wig Effect ~ Sony ZV1 Mic Review | 20200919 | 1-memo.com

Tin Can Pinhole Photo


Workshop pinhole photography at SKVR BeeldFabriek (SKVR ImageFactory) September 11, 2011 in Rotterdam, Holland. The ’24 hour culture’ event of Rotterdam (’24 uur cultuur’).
Turn a can into a Camera Obscura and make your own pinhole photo , and print it in a real dark room.
A tin can is used , punched with a pinhole , that has been painted black inside and loaded with photographic paper.
The pinhole is covered with tape , that is removed some 10-15 seconds for exposure of the film when taking the picture.
Your cameraman is taking his pinhole photo of the nearby Rotterdam Erasmus bridge.
The Dutch Youth Accordion Orchestra ( NJAO , MD Marc Belder ) played nearby that day the Sonatina Piccola (Jan Masséus). A second camera (Sony TX7) was used for the documentary.
Tin Can Pinhole Photo ~ Music : Sonatina Piccola (Jan Masséus) by Dutch Youth Accordion Orchestra NJAO | MD Marc Belder ~ Film : 20200902 Michel van der Burg | Miracles•Media

Fjord Cruise Sognefjord

Fjord Cruise Sognefjord .
Crossing Gudvangen – Kaupanger on Sognefjord , Norway – Summer 2003 – start of my videography using a Canon G3 digital stills camera (allowing 320×240 video at 15 fps). Fjord Cruise Sognefjord | 20200716 | 1-memo.com

Cruise Norway


Cruise Norway .
Colorline ferry Germany (Kiel) – Norway (Oslo). Summer 2003 start of my videography using a Canon G3 digital stills camera (allowing 320×240 video at 15 fps). Cruise Norway | 20200715 | 1-memo.com