The unique 1935 sound film of the Amsterdam’s Great Synagogue Choir (1,2,3) was made by the popular Polygoon journalist Jo Levi.
Wondering who Jo Levi was , I searched online, and found this picture below (20241107_1) with Jo Levi. Jo Levi is the second man from the left in this postwar photo of Polygoon men, posted by former Polygoon editor Fredo Krooshof at Cinecentrum Hilversum (4).
Polygoon Men • Miracles•Media • 20241107_1 | Source Cinecentrum Hilversum : Left to Right : Cees v.d. Wilden – Dir. Polygoon Haarlem; Jo Levi – Red. Pol.jnl; Philip Bloemendal – Red. and comm. Pol.jnl; Man in the background – name unknown; Gé Bresser – Procurator Polygoon; RVD man – name unknown (4).
Jo Levi together with Philip Bloemendal directed the Dutch cinema news for Polygoon. Philip Bloemendal , nicknamed “The voice of the Netherlands” , was for 40 years (from 1946 to 1986) the Dutch cinema newsreel announcer, voice-over, and editor . His voice-overs are The Voice of the postwar Dutch Polygoon news reels.
“Where they are not, nothing is happening” was the motto (5) of the cameramen of the Polygoon newsreel company in Holland.
May 1931 , two dutch newsreel companies, Polygoon in the city of Haarlem, and Profilti in The Hague, were competing to have the premiere of the first Dutch cinema newsreel with sound. Below a May 17, 1931 Polygoon interview (6) with former cyclist and sportsman W.W. van der Vet on the occasion of his 85th birthday (20241107_2).
6. Opa Vet (sportopa) voor de microfoon. Published 17 May 1931. Polygoon Hollands Nieuws (producer) / Nederlands Instituut voor Beeld en Geluid (Open Beelden archive)
Citation info : Polygoon Journalist Jo Levi • Michel van der Burg • Miracles•Media • 20241107
Geluidsopname ter Groote Synagoge • NIW 15 Nov 1935 • Miracles•Media • 20241025
Friday, 15 Nov 1935 • NIW (1)
“Sound recording at the Great Synagogue
The jubilee of the N.I.H.S., which has attracted interest in our community in many circles, has also attracted the attention of Polygoon, the well-known sound journalists. They wanted to record something specific of this jubilee and in honor of the jubilee on the sound film and insert it as part of the cinema newsreels this week. Chief cantor I. E. Maroko and the synagogue choir, led by his well-known conductor S. H. Englander, were prepared to perform a synagogue song. And so the recording took place last Wednesday evening in the Great Synagogue. When we came to take a look at the Synagogue, which was already decorated for the occasion, at 8 o’clock, all preparations had been made. A number of lamps, together 25,000 candles strong, provided sufficient lighting. The choir sang Psalm 118, while Mr. Maroko sang the solos. The recording, which was made under the direction of the popular Polygoon man Jo Levi, and in which Max Tak was present, will certainly attract the interest of the cinema-loving public and for those who do not regularly go to the cinemas, we can certainly recommend a visit this time.”
This NIW 1935 news (1) describes the ‘sound film’ was made Wednesday 13 Nov 1935 under the direction of Polygoon man Jo Levi.Below the ‘sound film’ and first part of my description, as posted Aug 20, 2019 (2).
November 1935, on the occasion of the 300th anniversary of the NIHS Jewish Community of Amsterdam (orthodox Ashkenazi congregation started 1635) the dutch film factory Polygoon brought this unique cinema sound newsreel of the Amsterdam Choir of the Great Synagogue led by choirmaster Samuel Henri (Sam) Englander, with a solo perfomance by chazzan (cantor) Izrael Eljasz Maroko in the Great Synagogue (inauguration building 1671) – now home to the Jewish Historical Museum in Amsterdam, Holland (2).
Notes
1. Today I found this article on the Polygoon ‘sound recording’ (2) in the dutch weekly ‘Nieuw Israelietisch weekblad’ (Transl: New Israelite Weekly) of Friday, November 15, 1935. URL Delpher.nl (retrieved 20241025) .
Dutch transcript
Geluidsopname ter Groote Synagoge
Het jubileum der N.I.H.S., dat de belangstelling in vele kringen op onze gemeente heeft gevestigd, heeft ook de aandacht getrokken van Polygoon, de bekende geluidsjournalisten. Men wilde n.l. iets specifieks van dit jubileum en ter eere van het jubileum op de geluidsfilm vastleggen en dit deze week als onderdeel in de bioscoopjournaals inlasschen. Oppervoorzanger I. E. Maroko en het sjoelkoor, onder leiding van zijn bekenden dirigent S. H. Englander, werden bereid gevonden om een synagogaal gezang ten gehoore te brengen. En zoo vond Woensdagavond j.I. de opname plaats in de Groote Synagoge. Toen wij om 8 uur een kijkje kwamen nemen in de reeds in feesttooi gestoken Synagoge, waren alle toebereidselen getroffen. Een aantal lampen, tezamen 25.000 kaarsen sterk, zorgde voor voldoende belichting. Het koor zong Psalm 118, terwijl de heer Maroko de soli zong. De opname, welke onder leiding van den populairen Polygoonman Jo Levi geschiedde, werd vervaardigd en waarbij o.a. Max Tak tegenwoordig was, zal zeer zeker de belangstelling van het bioscoopminnend publiek trekken en zij, die niet geregeld in de cinema’s komen, kunnen wij ditmaal zeker een gang daarheen aanbevelen.
This frightened, dark-eyed girl with a white headscarf – anonymous icon of the holocaust … a few seconds in the unique Westerbork Film. Raw footage shot by Camp Westerbork inmate Rudolf Breslauer during World War II in Holland.
Early 1990s – 50 years later – little is known about this Westerbork film. Dutch journalist Aad Wagenaar starts searching for the girl’s name. Project ‘Esther’ – his working title.
Key finding together with the Camp Westerbork Memorial Centre researchers Gerard Rossing en Koert Broersma analyzing the film footage, is the inscription on the suitcase of that woman brought on a stretcher to that transport. Close inspection of that suitcase – flipping the image – viewing the film frame by frame – to and fro – revealed her name and birthdate : F.KROON
26.9.82
In this video I also inverted the black–white.
Further , a clearer image is possible now in the still presented here – likewise edited – taken from the higher quality , recently recovered ‘camera-original’ film found on other archived reels by Gerard Nijssen for the Netherlands Institute for Sound and Vision | NIOD – and published Jan 20, 2020.
That special train car with Settela, car #16, with the 74 pers. mark on the vertical shelves, was also part of that train filmed by camp inmate Rudolf Breslauer leaving Westerbork – with the ‘4’ crossed out and a 5 added – so one person had been added before departure.
On that stretcher was Frouwke Kroon – born 26 September 1882 – deported May 19, 1944 – and murdered on arrival in Auschwitz.
That train left Camp Westerbork on May 19, 1944 with ca 700 people – both Jews and 245 Sinti and Roma – the so-called ‘Gypsy transport’ – dutch: ‘Zigeunertransport’.
The girl with the headscarf got her name back Monday 7th February 1994, when Aad Wagenaar met survivor ‘Gypsy mama’ Theresia Crasa Wagner . She told him, she sat on the floor behind the girl , standing near the door. When they heard the doors being closed , her mother yelled :
‘Settela !
Get away from the door, or your head will get stuck !!’
The Dutch Sinti girl Settela (Anna Maria) Steinbach was born – the traditional way , under the family wagon – on 23 December 1934 in Buchten in the Dutch province of Limburg.
Settela’s family had been arrested 3 days before they were deported. Settela’s hair was shaved off in Camp Westerbork – hence the ‘headscarf’ made by her mother.
Mother Toetela (Emilia) Steinbach with ten children and a grandchild were deported to Auschwitz-Birkenau. The 9-year old Settela was gassed and burned early August 1944.
Settela’s father Moeselman (Heinrich) Steinbach died of grief in 1946 in Holland.
Credits
Filmed by Rudolf Breslauer 19 May 1944 in Camp Westerbork, Netherlands.
Video from Westerbork film montage reel 1 (RVD cat.nr. 02-1167-01) courtesy of NIOD Institute for War, Holocaust and Genocide Studies (KNAW), and the Netherlands Institute for Sound and Vision.
Still (edit by Michel van der Burg) from camera-original film published Jan 20, 2020 courtesy of Gerard Nijssen | Netherlands Institute for Sound and Vision | NIOD | NOS.
Story based on :
* Settela, het meisje heeft haar naam terug (1995-2007) by Aad Wagenaar ISBN 9789089751898 / English translation by Janna Eliot ‘Settela’ (2005-2016) ISBN 978-0-9933898-2-5 .
* Documentary film Settela, gezicht van het verleden by Cherry Duyns (VPRO, 1994).
* Kamp Westerbork gefilmd by Koert Broersma and Gerard Rossing (editors Dirk Mulder and Ben Prinsen; ISBN 9023232658 .
* Westerbork Film | Full version RVD 1986 | 20190605 | Michel van der Burg | Settela•Com (accessed 2021 Apr 16) URL: https://wp.me/p91enH-1x
* Nieuwe beelden van iconische Westerborkfilm gevonden (by Ronja Hijmans | NIEUWSUUR | NOS (accessed 2020 Jan 20) URL https://nos.nl/nieuwsuur/artikel/2319497-nieuwe-beelden-van-iconische-westerborkfilm-gevonden.html
* Settela en Willy en Het geheim van de Heksenberg (2e druk) by Rob Hendrikx and Marouska Steinbach (Heerlen : Historisch Goud – Rijckheyt, centrum voor regionale geschiedenis en Stichting Historische Kring “Het Land van Herle”, April 2017) ISBN 9789082241686. URL https://www.landvanherle.nl/product/settela-en-willy-en-het-geheim-van-de-heksenberg-2e-druk/
* ‘Sinti en Roma in Den Haag, voor, tijdens en na de Tweede Wereldoorlog (1900-1970)’ by Peter Jorna (Haags Gemeentearchief, 2021) PDF online (accessed 2021 Apr 15) URL https://www.owrs.nl/nieuws/nieuw-boek-sinti-en-roma-in-den-haag
* The Forgotten Genocide – The fate of the Sinti and Roma. Online exhibition by Tweedewereldoorlog.nl . Including a clip of the interview by journalist Aad Wagenaar with Crasa Wagner ; from documentary Settela, gezicht van het verleden, directed by Cherry Duyns (VPRO 1994) (accessed 2021 Apr 15) URL https://romasinti.eu
Little star Liesje Poons, 9 years-old, wins the first prize at the masquerade ball (bal masqué) organised by Stella Fontaine in 1932 at the Bellevue theater in Amsterdam, Holland.
A show with costumed children doing acts like imitating an indian, magician, Russian, and dancer, dancing on dutch and german songs like, ‘In Holland staat een huis’, ‘Waarom zijn de bananen krom’, and ‘Dass ist die Liebe der Matrose’.
Dutch diva Stella Fontaine (Saartje Kanes, 1889-1966) – born in a Jewish Amsterdam family – was a cabaret artist, imitator, actress and singer.
Liesje (Elisabeth Cornelia Poons) born 1 July 1922 in a Jewish Amsterdam family of artists – active in the world of theater and music – became a singer in big bands , performing eg. July 1940 in the Amsterdam Carré theater, and May 1943 in Leiden (newspaper Leidsche Courant May 8, 1943).
Source: Polygoontoon (Producer | March 7, 1932) courtesy of Netherlands Institute for Sound and Vision (Open Images).
Stella’s Stars in Amsterdam 1932 | 20210307 | Michel van der Burg | michelvanderburg•com | Miracles•Media | CC BY 4.0
November 1935, on the occasion of the 300th anniversary of the NIHS Jewish Community of Amsterdam (orthodox Ashkenazi congregation started 1635) the dutch film factory Polygoon brought this unique cinema sound newsreel of the Amsterdam Choir of the Great Synagogue led by choirmaster Samuel Henri (Sam) Englander, with a solo perfomance by chazzan (cantor) Izrael Eljasz Maroko in the Great Synagogue (inauguration building 1671) – now home to the Jewish Historical Museum in Amsterdam, Holland (Ref 1).
As the Amsterdamsche Joodsche Koor (Amsterdam Jewish Choir), the choir also performed in non-religious venues, including the Amsterdam Concertgebouw (Ref 2). The choir’s repertoire was expanded to include what were referred to as Eastern European Jewish folksongs and modern Palestinian-Jewish songs (i.e., contemporary Hebrew songs). The Choir of the Great Synagogue and Amsterdam Jewish Choir was composed of the following singers (those marked with an asterisk sang during synagogue services):
Giacomo Aletrino (tenor) Marcus Bonn (bass) Joop Delcanho* (tenor) David Duque (bass) Michel Gobets (tenor) Nathan Gobets Sr.* (tenor) Barend Levie Muller* (bass) Meijer Nebig* (baritone) Lou Nieweg* (tenor) David Peeper* (baritone) Louis Polak (bass) Jo Rabbie* (baritone) Sal Stodel (baritone) Bernard de Wit (bass) Louis de Wit* (bass) Of all of them, only Lou Nieweg is known to have survived the Second World War.
NL (dutch)
November 1935, ter gelegenheid van het 300-jarig bestaan van de NIHS Joodse Gemeenschap van Amsterdam (de Asjkenazische gemeente Amsterdam of ‘Nederlands Israëlitische Hoofd Synagoge’) kwam het Polygoon bioscoopjournaal met deze unieke geluidsfilm van het Amsterdams Koor der Grote Synagoge onder leiding van koordirigent Samuel Henri (Sam) Englander, met een solo van oppervoorzanger Izrael Eljasz Maroko in de Grote Synagoge in Amsterdam (inwijding gebouw 1671) – nu het Joods Historisch Museum (Ref 1).
Het koor trad ook op als het Amsterdamsche Joodsche Koor op niet-religieuze locaties, waaronder het Amsterdamse Concertgebouw (Ref 2). Het uitgebreide repertoire van het koor omvatte ook zogenaamde Oost-Europese Joodse volksliederen en moderne Palestijnse-Joodse liederen (d.w.z. hedendaagse Hebreeuwse liederen). Het Koor der Grote Synagoge en het Amsterdam Joods Koor bestond uit de volgende zangers (die met een asterisk gemarkeerd, zongen tijdens synagoge-diensten):
Giacomo Aletrino (tenor) Marcus Bonn (bas) Joop Delcanho * (tenor) David Duque (bas) Michel Gobets (tenor) Nathan Gobets Sr. * (tenor) Barend Levie Muller * (bas) Meijer Nebig * (bariton) Lou Nieweg * (tenor) David Peeper * (bariton) Louis Polak (bas) Jo Rabbie * (bariton) Sal Stodel (bariton) Bernard de Wit (bas) Louis de Wit * (bas) Alleen van Lou Nieweg is bekend dat hij de Tweede Wereldoorlog heeft overleefd.
① memo 20190828 ~ Amsterdam Sjabbos Screening ~ Projection installation in the Amsterdam Jewish Historical Museum (Dutch: Joods Historisch Museum) occupying four former synagogues – showing images of cantor Maroko in the Great Synagogue (Dutch: Grote Synagoge) also used in the 1932 documentary film Sjabbos | Friday Night (1932 by G.J. Teunissen) posted recently https://wp.me/s14gqN-sjabbos
Here filmed during a visit at the Joods Historisch Museum with filmmakers Richard an Karen Bloom , Saturday May 10, 2014.
Like in Hollywood , the Jewish Dutch are prominent in the Dutch film world before World War II – during the interbellum.
The three top players in the Dutch film industry also share that Jewish background – Abraham Tuschinski (Ref. 1, 2), Loet C. Barnstijn (Ref. 3) and David Hamburger Jr.
Here a speech by David Hamburger jr., chairman of the Nederlandsche Bioscoopbond (NBB) (Dutch Union of Cinema Proprietors), a film published May 17, 1931 (commissioned by Polygoon / courtesy of Netherlands Institute for Sound and Vision – Open Images) on the upcoming Polygoon cinema newsreels with sound that will soon replace the silent newsreels of Polygoons Hollands Nieuws (Dutch News).
References
1. Michel van der Burg. 2017 Jul 24. Turn .. “Draaien” .. Filmland 1934. Netherlands : Michel van der Burg | michelvanderburg.com ; (accessed 2019 Aug 26). Short-link URL: https://wp.me/p14gqN-nnk
2. Michel van der Burg. 2017 Nov 25. Lon’s World Premiere. Netherlands : Michel van der Burg | michelvanderburg.com ; (accessed 2019 Aug 26). Short-link URL: https://wp.me/p14gqN-nhx
3. Michel van der Burg. 2019 Aug 24. Hollywood in Holland – Barnstijn’s FILMSTAD Opening 1935. Netherlands : Michel van der Burg | michelvanderburg.com ; (accessed 2019 Aug 26). Short-link URL: https://wp.me/p14gqN-nng
① memo 20190826 ~ Breaking News – Polygoon sound film David Hamburger 1931
