Night Panaroma Ghent Vrijdagmarkt Market Square
Vrijdagmarkt (Friday Market) last September with the Statue of Jacob van Artevelde and two monumental art nouveau buildings of the socialist movement – Ons Huis (Our Home) and Bond Moyson – built around 1900, which currently house the socialist health insurance federation and the Socialist National Trade Union Federation. Film : 20191125 Michel van der Burg | 1-memo.com
NL – 10 jaar geleden – dinsdag 31 maart 2009 – kwam regisseur en schrijver Paul Verhoeven op uitnodiging van het Instituut der Godsdienstwetenschappen van de Leidse universiteit naar Leiden , om te praten over zijn boek ‘Jezus van Nazaret’ …. ‘een realistisch portret’ dat eind 2008 was uitgegeven (geschreven in samenspraak met Rob van Scheers).
Naast cinema kent Nederlands grootste filmregisseur Paul Verhoeven nóg een levenslange fascinatie: Jezus van Nazareth. Na zijn vertrek uit Nederland in 1985 meldde hij zich daarom in Californië aan bij het zogeheten Jesus Seminar, een hoog aangeslagen wetenschappelijke denktank van zo’n zeventig eminente professoren in godgeleerdheid, filosofie, linguïstiek en bijbelgeschiedenis, opgericht door Amerika’s meest vooraanstaande liberale exegeet Robert W. Funk.
Als enige niet-theoloog mocht Verhoeven aanschuiven bij de discussies die tot doel hadden de historische figuur Jezus van de mythische bijbelfiguur Jezus te bevrijden, hem te ontdoen van tweeduizend jaar christelijke inkleuring. Als bijdrage aan dit onderzoek schreef Paul Verhoeven – in Leiden afgestudeerd in wis- en natuurkunde – vele wetenschappelijke papers die vervolgens de basis vormden voor zijn spraakmakende boek Jezus van Nazaret – inmiddels in meerdere vertalingen uitgegeven .
Een discussie met Paul Verhoeven in een panel met Prof. Jürgen Zangenberg, dr Wim Hofstee, en studenten – met een introductie door dr Peter Verstraten – in de Lokhorstkerk te Leiden.
Een reportage van 45 min beeld van de 2 uur durende discussie – gefilmd met een Sony T500 compact camera.
NB : Een deel (ca 17 min) van deze reportage verscheen eerder, 3 april 2019, in een post getiteld ‘JESUS THE MAN – FILMMAKER PAUL VERHOEVEN’ (20190403 – https://michelvanderburg.com/2019/04/03/jesus-the-man-filmmaker-paul-verhoeven/ ).
EN – Filmmaker Paul Verhoeven’s project Jesus of Nazareth – a realistic portrait. Discussion with Paul Verhoeven March 31 , 2009 in dutch on his fascination for ‘Jesus the man’, his study in the Jesus Seminar, and the making of his book (based on interviews with Rob van Scheers) published a few months earlier – 10 years ago.
Paul Verhoeven was invited by the Institute of Religious Studies at the Leiden University on March 31 , 2009 in the Lokhorst church in Leiden , Holland.
A 45 min report of the 2 hours discussion – filmed with a Sony T500 compact camera.
Note : Part of this film (ca 17 minutes) was reported April 3, 2019 in the preliminary post JESUS THE MAN – FILMMAKER PAUL VERHOEVEN (20190403 – https://michelvanderburg.com/2019/04/03/jesus-the-man-filmmaker-paul-verhoeven/ ).
Credits
PAUL VERHOEVEN : JESUS THE MAN
March 31 , 2009 – Discussion Paul Verhoeven with Leiden University Prof Jürgen Zangenberg, dr Wim Hofstee, dr Peter Verstraten, students and public in Lokhorstkerk church , Leiden , Holland.
Film ‘PAUL VERHOEVEN : JESUS THE MAN’ (20191117) by Michel van der Burg – michelvanderburg.com | miracles.media
① memo 20190828 ~ Amsterdam Sjabbos Screening ~ Projection installation in the Amsterdam Jewish Historical Museum (Dutch: Joods Historisch Museum) occupying four former synagogues – showing images of cantor Maroko in the Great Synagogue (Dutch: Grote Synagoge) also used in the 1932 documentary film Sjabbos | Friday Night (1932 by G.J. Teunissen) posted recently https://wp.me/s14gqN-sjabbos
Here filmed during a visit at the Joods Historisch Museum with filmmakers Richard an Karen Bloom , Saturday May 10, 2014.
Cinema propaganda newsreel (Polygoon) September 1940 on a rush for portrait photos needed for the ‘Persoonsbewijs’ , the ID card.
After the German invasion in 1940 the Dutch aged 15 and older were required to carry identity cards (called ‘persoonsbewijs’). This later led to the death of many people.
Polygoons Hollands Nieuws newsreel courtesy of Netherlands Institute for Sound and Vision (Open Images).
① memo 20190825 ~ Nobody No Longer Nobody – ID Card Propaganda 1940
Film City “Filmstad Wassenaar” – his film studio complex in Wassenaar near The Hague – is opened in 1935 by the dutch jewish cinema operator , film distributor and producer Loet C. Barnstijn (born in 1880 as Lodewijk Cohen) starting you might say a Hollywood in Holland. After first working in textiles, he sold his business to start in the film business as a cinema operator. He was a film distributor , an inventor with Philips of a synchronized sound system using records .. the Loetafoon, and introduced the sound film in Holland in the early 1930s. During the war Filmstad was confiscated, and became UFA Filmstadt Den Haag. The allies bombed the complex in 1944. After the war Barnstijn lived in the USA were he died in 1953.
Cinema newsreel, October 1935, from Polygoon courtesy of Netherlands Institute for Sound and Vision (Open Images).
Sound (speeches) starts after arrival of the guests at 3 min 20 sec.
Yesterday I posted on his first production the artistic documentary “Sjabbos“. ① memo 20190824 ~ Hollywood in Holland – Barnstijn’s FILMSTAD
① memo 20190815 ~ Mokum Market ~ Amsterdam Jewish Quarter 1931 ~ New version of yesterday’s (20190814) film – slowed to 75%*. Sunday outdoor market in the ‘Nieuwe Uylenburgerstraat’ street in the Jewish quarter of Amsterdam (Mokum). Dutch Polygoon cinema newsreel 25 January 1931. The market on the Uilenburgerstraat specialized in second-hand goods fish, and other food products, including the ever-popular ‘Jewish pickles’. The Depression in the 1930s led to unemployment in many trades, including the diamond industry, where many Jews had worked. As a consequence, the number of market vendors and peddlers increased in the 1930s. In September 1941 the Nazis prohibited Jews from trading at public markets. Special markets where only Jews were allowed to trade opened nearby. Very few Jewish market and street vendors survived the war. The Uilenburgerstraat market never reopened (info source https://www.joodsmonument.nl/en/page/671/jewish-market-and-street-vendors-in-amsterdam ). Footage thanks to Netherlands Institute for Sound and Vision (Open Images).
* Note – Yesterday’s film (Mokum Market version 20190814) seems sped up – probably because of a wrong play speed when scanned for digitalisation). Thus , I post this new version today, sloweddown to 75% speed at play back – based subjectively on how motion of people looks , and based on other writings that silent films are often distributed with instructions for the projectionist to be run at 18fps , rather then the modern 24 frames per second – thus requiring a 18/24 = 75% fps.
① memo 20190814 ~ Mokum Market ~ Amsterdam Jewish Quarter 1931 ~ Sunday outdoor market in the ‘Nieuwe Uylenburgerstraat’ street in the Jewish quarter of Amsterdam (Mokum). Dutch Polygoon cinema newsreel 25 January 1931. The market on the Uilenburgerstraat specialized in second-hand goods fish, and other food products, including the ever-popular ‘Jewish pickles’. The Depression in the 1930s led to unemployment in many trades, including the diamond industry, where many Jews had worked. As a consequence, the number of market vendors and peddlers increased in the 1930s. In September 1941 the Nazis prohibited Jews from trading at public markets. Special markets where only Jews were allowed to trade opened nearby. Very few Jewish market and street vendors survived the war. The Uilenburgerstraat market never reopened (info source https://www.joodsmonument.nl/en/page/671/jewish-market-and-street-vendors-in-amsterdam ). Footage thanks to Netherlands Institute for Sound and Vision (Open Images).
Update 20190815
Film playback seems sped up. Thus , I posted a new version the next day, slowed-down to 75% speed at play back – see post 20190815.