View from a window inside the Putmolen water windmill in the Aarlanderveen polder around Alphen, Holland.
This Putmolen mill drains water from the lowest part of the polder, the so-called Put (pit) – at 5.4 meter , that is 18 feet, below sea level. More on this so-called Mill #4 of the Aarlanderveen Gang of Four Mills in the first episode “Crystal Ball” , link https://1-memo.com/2020/10/01/putmolen-episode-1-crystal-ball/ .
Filmed using an Ambeo (Sennheiser – Apogee) headset for binaural sound and the iPhone X on the dutch national mill day 2018.
Putmolen ~ Episode 2 “Polder” | 20201002 | Michel van der Burg | 1-memo.com
In the Aarlanderveen polders around Alphen in Holland, here Mill #4 of the Gang of Four Mills – also known as the Putmolen (Pit mill).
This Gang of four mills (dutch : Molenviergang) is working together to upload the polder water around the Aarlanderveen village in 4 steps – by stepped drainage via basins – all together almost 5 meters , 16 feet, higher into the Old Rhine river.
This Putmolen mill (with millers Rita and Johan Slingerland) drains the lowest part of the polder, the so-called Put (pit), where peat was still extracted when this mill was build in 1801 , after the higher part of the polder had already been milled dry. Filmed using the iPhone X on the dutch national mill day 2018.
Putmolen ~ Episode 1 “Crystal Ball” | 20201001 | Michel van der Burg | 1-memo.com
Final choice for color grading HDR footage from the Sony ZV-1 filmed using the Picture Profile 10 (PP10) with the Hybrid Log-Gamma HLG2.
My final choice is that version uploaded Sep. 25th (20200925) prepared in a standard library (Rec. 709) of Final Cut Pro X (FCPX). Here I added Neat Video noise reduction, for this 20200929 final version !
Over the past two days I tried to improve on this video by editing in a in a Wide Gamut-HDR FCPX library, producing several versions : 20200928, and 20200927. However , I am using the Late 2015 Retina 5K iMac with a P3 color gamut – not matching the wider Rec.2020 gamut of the footage. Strange things – big difference in colors/luma – happen working with that Wide Gamut library , when exporting the edited work in either h264 (or h265) versus Apple ProRes 422.
I believe I obtain superior and more consistent results when grading in the standard FCPX library (Rec. 709), after changing the clips setting in this library for ‘Color Space Override’ in the FCPX clip inspector : from ‘Off’ to ‘Rec.2020’ (corresponding to the BT.2020 setting in my Sony ZV-1 camera’s PP10 profile).
Next for color grading only the color wheels in FCPX were used for a slight overall (master) increase of saturation , a slight reduction of the brightness of highlights and shadows, plus a larger increase in brightness of the midtones.
Sound from the Sennheiser MKE 200 microphone without the furry windshield.
Final Color Grading HLG Sony ZV-1 | 20200925~20200929 | Michel van der Burg | miracles.media
Apple ProRes 422 file upload of HDR (Rec. 2020 HLG2) footage shot a week ago at sunset in Holland with the Sony ZV-1 camera , with brightness edited using the color wheels in Final Cut Pro X (slight reduction in the highlights and shadows , and a substantial increase in midtones) in a Wide Gamut-HDR library, plus Neat Video noise reduction and exported in Compressor.
ProRes HLG Sony ZV1 HDR Film | 20200928 | Michel van der Burg | miracles.media
HDR footage (HLG2) shot a week ago at sunset in Holland with the Sony ZV-1 camera , edited using the color wheels in Final Cut Pro X in a Wide Gamut-HDR library, plus Neat Video noise reduction.
Color Grading HLG Sony ZV-1 | 20200927 | Michel van der Burg | miracles.media
Note : Export for YouTube as h264. I will try an Apple ProRes HLG file tomorrow
Indoor audio quality of the Sennheiser MKE 200 microphone on the Sony ZV-1 with varying audio volume levels , and checking background noise with this directional, super-cardioid, microphone.
HDR footage (PP10 HLG2) edited in Final Cut Pro X in a Wide Gamut-HDR library with grading of exposure, saturation, and tint using the color wheels only. Sennheiser MKE 200 Indoor Audio Review 4 | 20200926 | 1-memo.com
