Flammable Films Bunker
Former german bunker (Atlantic Wall) in the dunes along the North Sea near Scheveningen , The Hague, with special safes to store the flammable nitrate films of dutch history from the national dutch archive – historic films for safety reasons not allowed within built-up areas.
Here the Westerbork film footage also was examined in the 1990s for clues about the deportation trains and the name of the girl with the ‘working’ name Esther (by researcher Aad Wagenaar) – later to be identified as Settela.
Here a 1980 Polygoon newsreel on the restauration of this RVD archive bunker with new safes.
Credit
Source : Polygoon-Profilti (producer) / Netherlands Institute for Sound and Vision (curator).
Film edit : Flammable Films Bunker | 20191216 | Michel van der Burg | Settela•Com – CC BY-SA 4.0
November 1935, on the occasion of the 300th anniversary of the NIHS Jewish Community of Amsterdam (orthodox Ashkenazi congregation started 1635) the dutch film factory Polygoon brought this unique cinema sound newsreel of the Amsterdam Choir of the Great Synagogue led by choirmaster Samuel Henri (Sam) Englander, with a solo perfomance by chazzan (cantor) Izrael Eljasz Maroko in the Great Synagogue (inauguration building 1671) – now home to the Jewish Historical Museum in Amsterdam, Holland (Ref 1).
As the Amsterdamsche Joodsche Koor (Amsterdam Jewish Choir), the choir also performed in non-religious venues, including the Amsterdam Concertgebouw (Ref 2). The choir’s repertoire was expanded to include what were referred to as Eastern European Jewish folksongs and modern Palestinian-Jewish songs (i.e., contemporary Hebrew songs). The Choir of the Great Synagogue and Amsterdam Jewish Choir was composed of the following singers (those marked with an asterisk sang during synagogue services):
Giacomo Aletrino (tenor) Marcus Bonn (bass) Joop Delcanho* (tenor) David Duque (bass) Michel Gobets (tenor) Nathan Gobets Sr.* (tenor) Barend Levie Muller* (bass) Meijer Nebig* (baritone) Lou Nieweg* (tenor) David Peeper* (baritone) Louis Polak (bass) Jo Rabbie* (baritone) Sal Stodel (baritone) Bernard de Wit (bass) Louis de Wit* (bass) Of all of them, only Lou Nieweg is known to have survived the Second World War.
NL (dutch)
November 1935, ter gelegenheid van het 300-jarig bestaan van de NIHS Joodse Gemeenschap van Amsterdam (de Asjkenazische gemeente Amsterdam of ‘Nederlands Israëlitische Hoofd Synagoge’) kwam het Polygoon bioscoopjournaal met deze unieke geluidsfilm van het Amsterdams Koor der Grote Synagoge onder leiding van koordirigent Samuel Henri (Sam) Englander, met een solo van oppervoorzanger Izrael Eljasz Maroko in de Grote Synagoge in Amsterdam (inwijding gebouw 1671) – nu het Joods Historisch Museum (Ref 1).
Het koor trad ook op als het Amsterdamsche Joodsche Koor op niet-religieuze locaties, waaronder het Amsterdamse Concertgebouw (Ref 2). Het uitgebreide repertoire van het koor omvatte ook zogenaamde Oost-Europese Joodse volksliederen en moderne Palestijnse-Joodse liederen (d.w.z. hedendaagse Hebreeuwse liederen). Het Koor der Grote Synagoge en het Amsterdam Joods Koor bestond uit de volgende zangers (die met een asterisk gemarkeerd, zongen tijdens synagoge-diensten):
Giacomo Aletrino (tenor) Marcus Bonn (bas) Joop Delcanho * (tenor) David Duque (bas) Michel Gobets (tenor) Nathan Gobets Sr. * (tenor) Barend Levie Muller * (bas) Meijer Nebig * (bariton) Lou Nieweg * (tenor) David Peeper * (bariton) Louis Polak (bas) Jo Rabbie * (bariton) Sal Stodel (bariton) Bernard de Wit (bas) Louis de Wit * (bas) Alleen van Lou Nieweg is bekend dat hij de Tweede Wereldoorlog heeft overleefd.
① memo 20190828 ~ Amsterdam Sjabbos Screening ~ Projection installation in the Amsterdam Jewish Historical Museum (Dutch: Joods Historisch Museum) occupying four former synagogues – showing images of cantor Maroko in the Great Synagogue (Dutch: Grote Synagoge) also used in the 1932 documentary film Sjabbos | Friday Night (1932 by G.J. Teunissen) posted recently https://wp.me/s14gqN-sjabbos
Here filmed during a visit at the Joods Historisch Museum with filmmakers Richard an Karen Bloom , Saturday May 10, 2014.
① memo 20190815 ~ Mokum Market ~ Amsterdam Jewish Quarter 1931 ~ New version of yesterday’s (20190814) film – slowed to 75%*. Sunday outdoor market in the ‘Nieuwe Uylenburgerstraat’ street in the Jewish quarter of Amsterdam (Mokum). Dutch Polygoon cinema newsreel 25 January 1931. The market on the Uilenburgerstraat specialized in second-hand goods fish, and other food products, including the ever-popular ‘Jewish pickles’. The Depression in the 1930s led to unemployment in many trades, including the diamond industry, where many Jews had worked. As a consequence, the number of market vendors and peddlers increased in the 1930s. In September 1941 the Nazis prohibited Jews from trading at public markets. Special markets where only Jews were allowed to trade opened nearby. Very few Jewish market and street vendors survived the war. The Uilenburgerstraat market never reopened (info source https://www.joodsmonument.nl/en/page/671/jewish-market-and-street-vendors-in-amsterdam ). Footage thanks to Netherlands Institute for Sound and Vision (Open Images).
* Note – Yesterday’s film (Mokum Market version 20190814) seems sped up – probably because of a wrong play speed when scanned for digitalisation). Thus , I post this new version today, sloweddown to 75% speed at play back – based subjectively on how motion of people looks , and based on other writings that silent films are often distributed with instructions for the projectionist to be run at 18fps , rather then the modern 24 frames per second – thus requiring a 18/24 = 75% fps.
① memo 20190814 ~ Mokum Market ~ Amsterdam Jewish Quarter 1931 ~ Sunday outdoor market in the ‘Nieuwe Uylenburgerstraat’ street in the Jewish quarter of Amsterdam (Mokum). Dutch Polygoon cinema newsreel 25 January 1931. The market on the Uilenburgerstraat specialized in second-hand goods fish, and other food products, including the ever-popular ‘Jewish pickles’. The Depression in the 1930s led to unemployment in many trades, including the diamond industry, where many Jews had worked. As a consequence, the number of market vendors and peddlers increased in the 1930s. In September 1941 the Nazis prohibited Jews from trading at public markets. Special markets where only Jews were allowed to trade opened nearby. Very few Jewish market and street vendors survived the war. The Uilenburgerstraat market never reopened (info source https://www.joodsmonument.nl/en/page/671/jewish-market-and-street-vendors-in-amsterdam ). Footage thanks to Netherlands Institute for Sound and Vision (Open Images).
Update 20190815
Film playback seems sped up. Thus , I posted a new version the next day, slowed-down to 75% speed at play back – see post 20190815.
RIOD 1948 ~ National Institute for War Documentation in Holland ~ In the first years after the war, the National Institute for War Documentation in Holland , known as the ‘RIOD’ – Rijksinstituut voor Oorlogsdocumentatie – started collecting original documents about the Netherlands and the Dutch East Indies during the Second World War. In addition to collecting and organising all these documents RIOD also did research, performed historical studies into the Second World War and the Holocaust. In 1946 the RIOD started the collection of the footage filmed by the Jewish camp prisoner Rudolf Werner Breslauer spring 1944 in the Westerbork transit camp.
Here in this Polygoon cinema newsreel week 3 in 1948 the RIOD’s director Loe de Jong gives the dutch cinema public a look behind the scenes of the RIOD institute.
Credit info :
RIOD 1948 ~ National Institute for War Documentation in Holland
Source 1948 Polygoon newsreel week 3, 1948 (WEEKNUMMER480-HRE0000DED7_1757240_1937680) courtesy of Polygoon Hollands Nieuws (producer) / Nederlands Instituut voor Beeld en Geluid (OpenImages, public domain).
RIOD 1948 | 20190808 | Michel van der Burg | Settela•Com – CC BY 4.0 .
① memo 20181205 ~ Blackface ~ One of Al Jolson’s blackface acts performed by the dutch variety show artist Heintje Davids as shown in dutch movie theaters in 1930 in the ‘Polygoon’ cinema news. The blackfaced Al Jolson starred in the very first feature length ‘talkie’ (sound film) The Jazz Singer in 1927 – with a synchronized recorded music, singing and speech. In France , right after the liberation, Robert Clary was known as L’Al Jolson français.
Footage thanks to the Open Images (openbeelden.nl). audiovisual archive of the Netherlands Institute for Sound and Vision.
