Video Review #7 Macro ProRes HDR iPhone 16 Pro • 20241120


Pollinator (fly I guess) on dandelion in Holland filmed in ProRes HDR macro mode on iPhone 16 Pro with wireless Røde GO II stereo sound.

Still (thumbnail) video

@1memo.bsky.social

BlueSky video ( replacing Twitter )

@1memo.bsky.social

Video Review #7 Macro ProRes HDR iPhone 16 Pro • @1MEMO 20241120Pollinator (fly I guess) on dandelion in Holland filmed in ProRes HDR macro mode on iPhone 16 Pro with wireless Røde GO II stereo sound.

(@1memo.bsky.social) 2024-11-20T19:53:43.846Z

Citation info : Video Review #7 Macro ProRes HDR iPhone 16 Pro • Michel van der Burg • Miracles•Media • @1MEMO 20241120 • TakeNode 5acfa997-442d-4622-9fa2-50465f32598a

LUMA • 20241118


Just happenstance … that I today made this music video , and while uploading ‘LUMA’, read the news on the boost of BlueSky … So I started there with this bluesky last night in Holland.

BlueSky post
https://bsky.app/profile/michelvanderburg.bsky.social/post/3lbb4rfvhc22b

BlueSky handle
michelvanderburg.bsky.social

Note
Video Review #6 ProRes HDR from iPhone 16 Pro with Røde Wireless Stereo
The 6th day examining video creation with the iPhone 16 Pro … focusing on Apple ProRes HDR video , and options for stereo sound , here using the Røde wireless GO II.

Music : Bioluminescence by Brianna Tam • Artlist

Citation : Luma • Michel van der Burg • Miracles•Media • @1MEMO 20241118 • TakeNode 9ff63fa0-4110-4af7-9529-85249796e43a

Video Review #5 ProRes HDR from iPhone 16 Pro with Macro mode & Røde Wireless Stereo • 20241117


Rattling leaves on a windy day, today in the Green Heart of Holland.
ProRes HDR recording, with wireless stereo sound using Røde wireless GO II on iPhone 16 Pro, filming with the Main (wide) camera, switching automatically to macro mode with the Ultra Wide camera. The Røde transmitter mics have the default furry windscreen mounted, and are packed in furry windscreen bags … hanging next to each other in this tree … as shown briefly towards the end of this 1 minute clip at around 47 seconds on the timeline.

More Specs

Video shot in HDR-HLG 4K 25p Apple ProRes HQ format.
Edited with Final Cut Pro 11 in a ProRes HQ – 4K 25p HDR project (Wide Gamut HDR – Rec. 2020 HLG). No color grading.
Audio externally recorded with Røde wireless GO II, using 2 layers of furry windscreen. Audio gain +24 dB in FCP.

Upload ProRes 4K at YouTube, ProRes HD at Vimeo.
A Vimeo SDR conversion uploaded at 1memo.substack.com and instagram.com/michelvanderburg/

Citation info : Video Review #5 Apple ProRes HDR from iPhone 16 Pro with Macro mode & Røde Wireless Stereo • Michel van der Burg • Miracles•Media • @1MEMO 20241117 • TakeNode d5532a92-6098-43ce-ac20-fcffdc2668a7

Video Review #4 ProRes HDR from iPhone 16 Pro & Wireless Stereo • 20241116


Short film of highland cattle , on a pretty windy grey day, today in the Green Heart of Holland.

Focusing on ProRes HDR recording on iPhone 16 Pro , and also a first test recording wireless externally stereo audio using the Røde wireless GO II system.

I previously researched stereo recording with the Røde wireless ME system, with no success (not published).

Video shot in HDR-HLG 4K 25p Apple ProRes HQ format with main camera at 2x setting of the iPhone 16 Pro Max and stored internally.
Edited with Final Cut Pro (FCP) 10.8.1 in a ProRes HQ – 4K 25p HDR project (Wide Gamut HDR – Rec. 2020 HLG). No color grading. Some of the clips cropped.
Audio externally recorded with Røde wireless GO II, using 2 layers of furry windscreen. Overall gain +24 dB in FCP, and next lower frequencies reduced. Upload (HEVC) 4K at YouTube, HD at Vimeo.

I also examined again the landscape today, that I filmed 2 days ago (also a grey day) in HDR-HLG , especially the colors of the grass, and concluded that the iPhone’s ProRes HDR (wide gamut HLG) footage best represents the actual colors , both when processed in HDR and in SDR color space — as compared with the Apple Log footage as processed in SDR color space, and uploaded yesterday.

Citation info : Video Review #4 ProRes HDR from iPhone 16 Pro & Wireless Stereo • Michel van der Burg • Miracles•Media • @1MEMO 20241116 • TakeNode ddc00dfb-f0de-498d-bf65-7feb5bae60d9

Rock-a-bye Baby | 20210312


Rock-a-bye Baby | 20210312 | 1-memo•com
Rock-a-bye baby on the tree tops. Sound with Shure MV88 external microphone using two fluffies – the Rycote fuzzy windscreen made for the mic , and a ZOOM (Zoom APH-4n Pro) fluffly on top. Filmed with iPhone 12 today in the woods of the Green Heart in Holland.
TAGS #ShureMV88 #fluffy #wind #1Memo #MiraclesMedia #michelvanderburg #iPhone12 #dolbyvision #SmartHDR #HLG #Holland #sky #winter #tree #woods #audio #microphone #windscreen #deadcat #1minute

Storm in Holland | 20210311


Storm in Holland | 20210311 | 1-memo•com
Filmed with the iPhone 12 Pro Max and for audio the Shure MV88 microphone using two fluffies – the Rycote fuzzy windscreen made for the mic , and a ZOOM (Zoom APH-4n Pro) fluffly on top.
TAGS #ShureMV88 #fluffy #iphone #1Memo #MiraclesMedia #michelvanderburg #iPhone12 #dolbyvision #SmartHDR #HLG #Holland #sky #cloud #winter #wind #storm #audio #microphone #windscreen #deadcat

Primo Phantom Power New Sony Cameras


Testing stereo Primo EM272 microphones plugged right into a Sony A7III camera this time filmin fall foliage half an hour before sunset in Holland. The right audio level is substantially higher than the left channel level. I restored stereo balance editing in Final Cut Pro X : changing Pan settings to Stereo Left/Right shifting -50% direction left channel. The same effect was noticed again today with the stereo Primos plugged in my Sony ZV-1 camera – as reported before over the past days (though then with an angle adaptor in between). The problem did not occur when testing today the Sennheiser MKE 440 stereo mic plugged the same wayy in both cameras – so the imbalance is not due to some mechanical problem with the 3.5 mm plug port of the cameras.
Further stereo balance of the Primo EM272 microphones was perfect in audiorecorders – the Olympus LS-P4 tested today , and my old (2008) LS10 tested some days ago.
For now , I conclude the imbalance is somehow related with / due to the plug-in-power needed by the Primo mics from the camras – the Sennheiser doesn’t require plugin power… Note the required Phantom power (Plug-in-power) is no handicap with the dedicated audiorecorders.
Primo Phantom Power New Sony Cameras | 20201106 | Michel van der Burg | 1-memo•com