Almost certainly, three Jewish people have been recognized in the unique Westerbork film from 1944 (1). This time it concerns the 9-year-old boy Israël Wijnschenk, his father Max Wijnschenk, and his grandmother Betje Kokernoot-van Furth, who all lived in Utrecht (Holland).
Last week, the Dutch public broadcaster NOS (2) reported the news from the Utrecht (Dutch) news site Nieuws030 (3) that it is very likely that three people were recognized again in this film made by the Jewish prisoner and filmmaker Rudolf Breslauer showing the deportation of Jews, Roma and Sinti by train in Camp Westerbork on May 19, 1944.
Image researcher Koen Hulsbos — who previously identified an Amsterdam couple in this deportation train (4) — thought he recognized the young Israël Wijnschenk, a pupil at the time of the Joodse (Jewish) School Utrecht, and presented this to Victor Frederik, researcher of the Joodse School (5,6). The boy, the man, and the woman seem to belong together, and were recognized from family photos, also by family members.
It is certain that Max and his wife Chel (not in the images) returned to Utrecht after the war, their children Israël and his sister Kitty were murdered. Grandma Betje was also gassed in Auschwitz.
A portrait of Israël Wijnschenk is shown at the site of Joods Monument (7).
According to the transport list, there were two other children in that wagon, Joseph Beugeltas (11 years old) and Manfred Studzinsky (7 years old). Joseph Beugeltas appeared to have blond hair, and could not have been it (6). To be completely sure, the researchers are still looking for a photo of Manfred Studzinsky, for comparison…
The Dutch national broadcaster NOS (1) and the local RTV Drenthe (2) reported this morning (23 Dec 2024) that 2 more people have been recognized in the Westerbork film.
It is the Amsterdam couple Marcus Pels and Hendrika Brandon. They were identified by the image researcher Koen Hulsbos – volunteer working at the Behind the Star project of the NIOD Institute for War, Holocaust and Genocide Studies .
The Jewish photographer and filmmaker Rudolf Breslauer, while a prisoner in the Westerbork transit camp in the Netherlands, was commissioned by camp commander Albert Gemmeker to make film recordings for the Westerbork film in the spring of 1944, featuring images of a deportation train.
The NOS broadcast referred to images in the first published Westerbork film (3)The film can be viewed in its entirety on YouTube. After just under 5 minutes 🔗 a man with a hat can be seen looking into the camera with a smile, and next to him a woman with black, slightly wavy hair can be seen from behind. The same couple appears again at 6 minutes 🔗 . It turned out to be the Amsterdam couple Marcus Pels and Hendrika Brandon.
Pels & Brandon Clip 1 & 2
Also available on YouTube is the more recent second Westerborkfilm (4). This 2021 edition has the recently found original camera rolls of the deportation transport (Reel E198), with higher quality images of the couple.
Hulsbos had already had photos of Marcus Pels and Hendrika Brandon in his collection of images of prisoners who were transported on that day – May 19, 1944 – when Breslauer films the deportation of Jews, Roma and Sinti to Bergen-Belsen and Auschwitz.
“I’ve seen the film many times, but at one point I thought, ‘Hey, this couple is on screen twice.’ I had never really noticed that before,” says Hulsbos.
Hulsbos then compared the film footage with his photos. “And then I thought: that’s it,” says the amateur film historian.
Marcus Pels was murdered immediately after arriving in Auschwitz. Hendrika Brandon survived the war, as did their daughter and son, who were in hiding with a foster family. Katy (Keetje, 86 years old) and Philip (83) are still alive and live in Canada. They were shown the film footage and confirmed that they were their parents.
“They don’t remember their father. So to actually see images of him, to see him just walking around alive, there are no words to describe it,” granddaughter Lisa Kaufman said as a family spokesperson. “It was very special to see my grandmother, who I grew up with.”
Anonym | Girl with the headscarf …
In the Westerbork film, Hendrika looks at the woman on the stretcher, who was recognized in the 1990s through her suitcase as Frouwke Kroon, and thus was the key to identifying this transport and thus also to the name of the anonymous girl with the headscarf between the wagon doors – Settela (5,6).
Deportation Breslauer family
Earlier this year it was reported that filmmaker Rudolf Breslauer had also filmed two of his children , Stefan , and Ursula Breslauer in the Westerborkfilm at the farm (7).
Werner Rudolf Breslauer , his wife Bella Weihsmann, sons Stefan and Max Michael (Mischa), and daughter Ursula were deported later in 1944 from Westerbork to Theresienstadt and Auschwitz. Only Ursula survived.
Filmmaker Rudolf Breslauer also filmed two of his children in the Westerborkfilm…
Stefan (left) & Ursula Breslauer, children of Rudolf Breslauer, the filmmaker of the Westerbork film at the farm of Camp Westerbork in 1944 – identified by the dutch photographer Sake Elzinga, who received Breslauer’s family photo albums last year when the family of Ursula – the only survivor – visited an expo on Breslauer in the Westerbork museum in the Netherlands.
Camp commander (SS-Obersturmführer) Albert Gemmeker ordered the Westerbork film , made by the German Jewish prisoner, photographer, Rudolf Breslauer in the spring of 1944.
Today 80 years ago – March 5, 1944 – the camp is an ‘Arbeitslager’ – a work camp – when Rudolf Breslauer starts filming the daily life of the Westerbork prisoners — inside : in the barracks, for example a religious service, cabaret, workshops, factories, aircraft and battery recycling, medical care, and outside the barracks : construction of a greenhouse, a football match, women working out, chopping wood, incoming transports, and eventually also the departure of a deportation train. After Breslauer films the deportation of Jews, Roma and Sinti to Bergen-Belsen and Auschwitz on May 19, 1944 the filming stops. The haunting image of the 9-year-old dutch Sinti-girl Settela, standing in the closing doors of the goods train, and the unique footage of that deportation train that leaves the Westerbork camp, became iconic after the war.
Deportation Breslauer family
Werner Rudolf Breslauer , his wife Bella Weihsmann, sons Stefan and Max Michael (Mischa), and daughter Ursula were deported autumn 1944 from Westerbork to Theresienstadt and Auschwitz. Only Ursula survived.
Stefan & Ursula Breslauer in Westerborkfilm | 20240305 | Settela•Com | Frame 127475 from Westerbork Film 🎦 2021 | 20220302 | Settela•Com | ISSN 2949 9313 | Footage filmed by Rudolf Breslauer in 1944, courtesy of NIOD | Sound and Vision
Scene with Stefan & Ursula Breslauer, starting at 56:13 in the 1986 RVD edition of the Westerborkfilm: Stefan & Ursula Breslauer in Westerbork Film RVD | 20240305 | Settela•Com | URL https://youtube.com/clip/UgkxfNzA72JeGgVoOFp_VTI4EQQr3yTwXu6_
Settela Film | 20220630 | Michel van der Burg | Settela•Com
Deportation Westerbork Film | 20210719 | Michel van der Burg | Settela•Com
Samudaripen Book Cover | 20221118 | Settela•Com
For Settela•Com , Michel worked with Elisabeth Obadia at the small publishing house L’Esprit Frappeur in Paris and the Tokyo based French visual artist Benoit Dupuis (eden-olympia.net), by preparing a high quality camera-original still image of Settela (Ref 1) from the Westerbork film (Ref 2, 3) for the cover of the 3rd edition of the book Samudaripen, le génocide des Tsiganes (Ref 4) — the genocide of the Gypsies – by author, historian, Claire Auzias. Proud with the result. Waiting for the book to arrive …
New 2022 slow motion edition based on the newly found camera-original footage (the original negative film used in Breslauer’s camera May 19, 1944) as published last year in Deportation Westerbork Film | 20210719 (REF 1).
Before in 2017 a similar first slow-motion film was published (Settela | 20170721) (REF 2) that was using the ‘duplicate’ footage (not original footage) from the 1986 RVD film (REF 3).
The 9-year-old dutch Sinti-girl Anna Maria ‘Settela’ Steinbach peeks outside , at the last moment just before the sliding door is closed , standing inside a freight wagon with 74 people on May 19 , 1944 in the Westerbork concentration camp in Holland , when this deportation train leaves for Auschwitz-Birkenau – where Settela is murdered a few months later in one of the gas chambers. Here she wears a headscarf made from a torn sheet, because the Nazis had her head shaved , and while Settela peeks outside , her mother cries behind her in the car : “Get out of there, or soon your head gets in between!”
She was filmed by the Jewish prisoner filmmaker Rudolf Breslauer as part of a documentary film being made on the Westerbork camp (REF 4,5). More info in previous posts (REF 1–10).
This film starts with a slow-motion edition (15% original speed) , followed by the unedited 3-4 seconds clip taken from the 2021 Deportation Westerbork Film (REF 1) . Note : the images bounce occasionally , due to a technical artifact — a defect in Breslauer’s camera (REF 10).
Credit
Settela Film | 20220630 | Michel van der Burg | Settela•Com – CC BY 4.0
Settela | 20220629 | Settela•Com – CC BY 4.0 | Scan camera original negative film May 19, 1944 footage Westerbork Film
The 9-year-old dutch Sinti-girl Anna Maria ‘Settela’ Steinbach peeks outside , at the last moment just before the sliding door is closed , standing inside a freight wagon with 74 people on May 19 , 1944 in the Westerbork concentration camp in Holland , when this deportation train leaves for Auschwitz-Birkenau – where Settela is murdered a few months later in one of the gas chambers. Here she wears a headscarf made from a torn sheet, because the Nazis had her head shaved , and while Settela peeks outside , her mother cries behind her in the car : “Get out of there, or soon your head gets in between!”
She was filmed by the Jewish prisoner filmmaker Rudolf Breslauer as part of a documentary film being made on the Westerbork camp (REF 1). More info in references (REF 1, 2, 3, 4).
Credit
Still image from Westerbork Film 🎦 2021 | 20220302 | Settela•Com – CC BY 4.0
Breslauer films Settela after Degen kids | Excerpt (20220510) from Westerbork Film 🎦 2021 | Michel van der Burg | Settela•Com – Click image for video clip (Link in REF 10).
The original deportation footage of the annotated 2021 Westerbork film (REF 1) provides insight into Breslauer’s way of filming.
Focussing on film roll 2 of the deportation reel it is evident that Breslauer — right after filming the toddlers Marc and Stella Degen (REF 11) in 3rd class carriage I at the front of the train ( 00:16:49 ) — for his next shot ( 00:16:52 ) went all the way to the rear of the train for a close-up of the 9-year-old Settela Steinbach in cattle car number 16 — with Romani and Sinti people bound for Auschwitz (REF 6,12).
Further note that the first shot that day also focusses on a child, here in cattle car #7 with Jewish people (REF 6) bound for Auschwitz (00:20:18 start of roll 4/4 of reel E198).
The 2021 Westerbork film as mentioned in the recently presented Westerborkfilm Introduction (REF 2) is the outcome of a thorough search that started Spring 2019 for all available film cans in the Dutch media archives of Sound & Vision and the EYE Filmmuseum. All restored unique shots using both the camera original film and film copies (duplicates – when no original is known) were used for the new restored Westerbork film compilation made available as ‘display edition’.
Sound & Vision curator Valentine Kuypers reported in her dutch blog 12 May 2021 (REF 3) that a total of 23 film cans were found, including 2 cans with camera-original negative film – a discovery , because before only reels with film duplicates (copies) were known with only a few minutes section of original footage (see below). For the new 2021 Westerbork film “a compilation of unique scenes in the highest quality was made. Eight films from the archives of Sound & Vision and Eye were used for the compilation, consisting of: 16 mm original negative, duplicate negative, duplicate positive and original reversal film. ” [my translation].
Digital restoration with a conservative approach was used to stabilize and reframe the images , deflicker , and remove dust, scratches, and visible splices (REF 4). The display copy for distribution was color graded and adjusted for the correct playback speed.
Examination of the Westerbork Film for annotation showed the film starts with the two newly discovered camera-original reels E325 and E198, resp.
The first reel (E325) has sections of footage shot at various work sites of the Westerbork camp — starting 00:00:29 and ending at 00:14:22 — that can be traced back in the 1986 RVD Westerbork Film duplicates Act 2 and Act 3 , listed with numbers 5 , 17 , 12 , 5, 18, 9, 10, 9, 10, 19, 20 resp. in the post (REF 5) Westerbork Film – full version (RVD). The last scene on this reel E325 – a newly discovered clip of a few seconds – is showing a soldier standing guard at the camp entrance.
Dutch researchers Koert Broersma and Gerard Rossing reported in their new book on the film (REF 6) that the footage on both reels – although original – has been cut — with reel E325 showing 7 splices. I wasn’t able to discover splices, probably because of the digital restoration. The next reel E198, however, with the deportation footage, clearly does show 2 of the 3 spices reported by Broersma and Rossing — these show up as white transitions in this digital display edition around 0:16:22 and 0:18:14 resp. The location of that 3rd splice that is no longer showing in this restored film could be traced with help of the image of that splice published in Broersma and Rossing ‘s book , page 110 (REF 6) – right after Gemmeker looking up , starting 00:20:18 .
Since the splices between the film rolls on this reel could be identified here , the film roll numbers 1 to 4 are specified in the annotations.
The display edition of this deportation footage shows the order of the rolls found on reel E198. For the correct chronological order clearly rolls 1 and 4 have to change places, as shown before in the reconstruction Deportation Westerbork Film | 20210719 (REF 7).
The reels E325 and E198 with original film are followed by reels with restored duplicate films – omitting scenes already shown as original footage :
i) first, the 4 reels (acts) of the restored RVD film (REF 5);
ii) next, the so-called Unknown Westerbork Film Reel…F1014 (REF 8) starting with the Transport data animation at 02:03:31 ;
iii) and finally, the so-called Forgotten Westerbork Film Reel…F1015 (REF 9) starting at 02:11:53 with the Gevaert logo. Footage of the Religuous service on this F1015 reel was reported by Broersma and Rossing (REF 6) to be original film also .
CREDITS
Special thanks to researchers, authors, Koert Broersma, Gerard Rossing, and Aad Wagenaar, to curator Valentine Kuypers and her Sound & Vision colleagues Gerard Nijssen and others. The new Westerbork film project is a joint effort of four dutch organizations : the Dutch media archive Sound & Vision, Camp Westerbork Memorial Centre , the NIOD Institute for War, Holocaust and Genocide Studies, and the Jewish Cultural Quarter in Amsterdam.
Westerbork Film Shots Order | 20220511 | Michel van der Burg | Settela•Com – CC BY 4.0
12 – Settela, het meisje heeft haar naam terug (1995-2007) by Aad Wagenaar ISBN 9789089751898 / English translation by Janna Eliot ‘Settela’ (2005-2016) ISBN 978-0-9933898-2-5 .
