Escape Landscapes from the 20th Convoy – 236 Photo Exhibition | 20230121

236 — Land(es)capes from the 20th Convoy

Jo Struyven / Luc Tuymans

From 20 January 2023, the Jewish Museum of Belgium, in partnership with the Auschwitz Foundation, presents the exhibition entitled ‘ 236, Land(es)capes from the 20th Convoy ‘. It is set up in the museum’s project space and offers an artistic look at an exceptional and forgotten event in the Second World War.

The 20th convoy

At 10 p.m. on April 19, 1943, the 20th convoy departed from the Kazerne Dossin transit camp in Mechelen with 1,631 Jewish deportees in cattle cars, heading for Auschwitz.
Thanks to resistance actions, both inside the wagons and from outside, 236 of these deportees managed to jump from that train, that was leading them to extermination. An unique event in Europe under the Nazi administration.

Jo Struyven, photographer

The work of the Belgian photographer Jo Struyven (°Sint-Truiden, 1961) takes us back to these acts of resistance – commemorating the 80th anniversary in 2023 – and gives us a glimpse of the landscapes in which this striking story took place.
Taking the perspective of those who jumped off that train, an act for which many of them paid with their lives, Struyven creates a contemporary ‘memorial’ with 19 large ‘nocturnal’ black and white images, and one colour print.

Jo Struyven :

The 20th convoy, heading for the unspeakable “Auschwitz”, crossed the area where I grew up, barely 50 meters from my childhood bedroom — I found out 2 years ago after meeting Simon Gronowski. Ever since, I imagine the distress of the deportees. The destination was unknown to them. Some, sensing the worst, tried to escape it. I wanted to give an account of this border between life and death, between resignation and the impossibility of choosing, and the freedom regained with resistance to the oppressor’s plans.

Works presented by Jo Struyven

Land(es)capes from the 20th Convoy, 2020-2022, 19 black and white prints, 1 color print, 90×60 cm (Private collection – Belgium)

Jo Struyven, Land(es)capes from the 20th convoy 2020 2022, black and white print, 90x 60 cm, Wijchmaal (Private Collection, Belgium)

Jo Struyven, Land(es)capes from the 20th Convoy 2020-2022, black and white print, 90x 60 cm, Bierbeek (Private Collection, Belgium)

Jo Struyven, Land(es)capes from the 20th Convoy, 2020-2022, black and white print, 90x 60 cm, Borgloon (Private Collection, Belgium)

Jo Struyven, Land(es)capes from the 20th Convoy, 2020-2022, black and white print, 90x 60 cm, Piringen (Private Collection, Belgium)

Jo Struyven, Land(es)capes from the 20th Convoy, 2020-2022, black and white print, 90x 60 cm, Botzelaer (Private Collection, Belgium)

Luc Tuymans, visual artist

In dialogue with Jo Struyven’s photographs, two works by Belgian visual artist Luc Tuymans (°Mortsel, 1958) evoke the destruction of the Jews and Roma of Europe. Die Wiedergutmachung (The Reparation) depicts body parts – left the eyes of gypsy children who had been experimented on by the Nazis. … images that in its incompleteness, reflect the inability to represent facts and memory .

Works presented by Luc Tuymans

Luc Tuymans, Our New Quarters, 1986, Oil on canvas, 80,5 x 120 cm (MMK – Germany) (Photo Ben Blackwell, courtesy David Zwirner, New York, London)
Luc Tuymans, Die Wiedergutmachung, 1989, Oil on cardboard, mounted on plywood, Oil on canvas; diptych, 36,6 x 43 cm, 39,4 x 51,8 cm, courtesy: Private collection (Photo Studio Luc Tuymans)

Art after the Shoah

“Writing a poem after Auschwitz is barbaric”, wrote German philosopher Theodor W. Adorno in 1949. Through two contemporary perspectives from the visual arts, this exhibition seeks to address this question of the (im)possibility of art after the Shoah in a new way.

Testimonies & Catalogue

This exhibition will be accompanied by a catalogue book edited by Daniel Weyssow and Jo Struyven and published by the Auschwitz Foundation entitled Land(es)capes from the 20th Convoy (press release on April 19, 2023), as well as an educational space presenting the testimonies from interviews and archives of convoy escapees.

Info+ ( & Français | Nederlands)

236
Land(es)capes from the 20th Convoy
Jo Struyven / Luc Tuymans
Exhibition at the Jewish Museum of Belgium, in Brussels, Belgium
20 January – 14 August 2023
Brussels
Website https://www.mjb-jmb.org

Auschwitz Foundation, Brussels, Belgium
Website https://www.auschwitz.be/en

News

Jan 20, 2023 – Vernissage ‘236’ Land(es)capes 20th convoy.

Full report at michelvanderburg.com here : https://michelvanderburg.com/2023/01/20/vernissage-236-landescapes-20th-convoy/

Vernissage ‘236’ Land(es)capes 20th convoy | 20230120

Video report : Vernissage ‘236’ Land(es)capes 20th convoy

Thursday January 19th, 2023, the vernissage of the photo exhibition 236 — Land(es)capes from the 20th Convoy was opened with speeches by Philippe Blondin, President of the Jewish Museum, and by Pierre-Yves Jeholet , Minister-President of the Government of the Federation Wallonia-Brussels. Next, the Belgian photographer Jo Struyven presented his work — escape landscape photographs glowing in the dark — like being lit by moonlight — as well as paintings contributed by Luc Tuymans in the project space. The exhibition runs from January 20 – August 14, 2023 in the Jewish Museum of Belgium, Brussels, Belgium. Video report (20230120) Michel van der Burg | Miracles•Media .

Jan 20, 2023 – VRT | Kristien Bonneure (Belgian Flemish Broadcast) 20 jan 2023

Post and podcast interview (dutch) Jo Struyven – link https://www.vrt.be/vrtnws/nl/2023/01/18/expo-xxe-konvooi/

Updates

Sunday January 22th, 2023. Updated Museum’s poster image, and the Vernissage news item , editing text, plus embedding video.

Vernissage ‘236’ Land(es)capes 20th convoy | 20230120


Photographer Jo Struyven presents a preview of his work last night , Thursday January 19th, 2023 at the vernissage of 236 — Land(es)capes from the 20th Convoy , an exhibition of works by Jo Struyven and Luc Tuymans in the Jewish Museum of Belgium, Brussels, Belgium, open from today for the public January 20 – August 14, 2023.

On April 19, 1943, the 20th transport left the Mechelen transit camp to deport 1,631 Jews to Auschwitz. Thanks to resistance actions, both inside and outside the wagons, 236 of these deportees managed to jump from the train that would lead them to destruction.

Photographer Jo Struyven revisits this unique act of resistance in Western Europe during the Nazi regime and shows us the landscapes in which this little-known story took place.

The vernissage was opened by Philippe Blondin, President of the Jewish Museum, and by Pierre-Yves Jeholet , Minister-President of the Government of the Federation Wallonia-Brussels.

Follow-up post tomorrow 20230121.
License info : Vernissage ‘236’ Land(es)capes 20th convoy | 20230120 | Michel van der Burg | Miracles•Media | TakeNode 5e71633a-0ff2-44bf-99dc-34f3db25bb26

FALAISE | 20221217


FALAISE — Golden minute at sunset on the foreshore of the chalk cliffs Les Falaises d’Ault, Spring 2022, Picardy, France. Film produced December 17, 2022 for The One Minutes Collection (TOM) preserved by Sound & Vision, which manages audio-visual heritage in Holland. TOM File name : Michel van der Burg_ FALAISE_2022_Netherlands .
License info : FALAISE | Falaise #87 | 20221217 | Michel van der Burg | Miracles•Media | TakeNode 681f5cfa-452f-4443-b0c1-9c72a3e87528

TAGS #falaise #chalk #cliff #coast #sunset #goldenhour #reflection #Ault #Normandy #Picardy #foreshore #estran #tidal #swing #zone #Alabaster #sea #spring #drone #Mavic #Air #seagull #gull #bird #water #France #1minute #TheOneMinutes #Collection #SoundVision, #TakeNode #1Memo #michelvanderburg #MiraclesMedia

Collioure Corrida | 20221214


Collioure town on the Mediterranean Côte Vermeille coast at the foot of the Pyrenees mountain in France, and a summer night corrida – non-violent bullfight – in the arena of the nearby Catalonian town of Céret, in 1987. Music : Two Third by The Places | Artlist.
License info : Collioure Corrida | 20221214 | Michel van der Burg | Miracles•Media | TakeNode cd1dd6c3-2b85-4118-8377-37a1362436e3

TAGS #Collioure #coast #town #Mediterranean #Pyrenees #mountain #sea #summer #France #Côte #Vermeille #Céret #arena #bull #fight #corrida #ThePlaces #Artlist #music #TwoThird #slideshow #TakeNode #1Memo #michelvanderburg #MiraclesMedia #toros #Catalogne

Full Review Sony B1M vs Sennheiser MKE440 Microphone | 20221213


Chapters
0:00:00 TEST #1 – solo testing outside of the Sony ECM-B1M Shotgun Microphone in wind
00:24:17 TEST #2 – Comparison of the Sony ECM-B1M digital shotgun camera microphone vs the Sennheiser MKE 440 stereo shotgun microphone – in 5 short episodes .

This full review starts with a solo test of the Sony ECM-B1M digital shotgun camera microphone, focussing on wind noise resistance, more on the windscreen, and distance – using both the supplied Sony fuzzy wind screen, plus – in addition as a second layer – another different fuzzy wind screen (from an old Canon DM-100 microphone). Next, follows a side-by-side comparison outside of the Sony ECM-B1M Shotgun Microphone and the Sennheiser MKE 440 stereo shotgun microphone. Cameras are the Sony A7S Mark II (with the Sennheiser), and Sony A7 Mark III with Sony microphone. There is a lot of redundancy in my text because this wasn’t planned as one long review – and talking was mainly to both take notes of the settings and as a sound test ;) Compilation of 6 review episodes published Sep 2019. License info : Full Review Sony B1M vs Sennheiser MKE440 Microphone | 20221213 | Michel van der Burg | Miracles•Media | TakeNode 62985848-6148-4a4c-9d0f-f0c7fce380d6

TAGS #SonyECMB1M #SennheiserMKE440 #stereo #ECMB1M #MKE440 #analog #microphone #wind #fuzzy #windscreen #deadcat #shotgun #digital #review #comparison #versus #full #test #sidebyside #handson #Sony #A7SII #Sony #A7III #camera #sound #noise #shield #polder #Holland #GreenHeart #TakeNode #1Memo #michelvanderburg #MiraclesMedia

TIDES | Falaise #86 | 20221211


One minute 500x speed up of 8 hours live broadcast on the first spring day of 2022 from restaurant l’Horizon on the Falaises d’Ault, Picardy, France | Music : Chapter Two by Brianna Tam | Artlist. Film produced December 11, 2022 for The One Minutes Collection (TOM) preserved by Sound & Vision, which manages audio-visual heritage in Holland. TOM File name : Michel van der Burg_TIDES_2022_Netherlands .
License info : TIDES | Falaise #86 | 20221211 | Michel van der Burg | Miracles•Media | TakeNode 23a5b6b9-bad9-49d6-9ec2-3e1e30b63b99

TAGS #TIDES #horizon #Onival #falaise #ebb #flood #coast #Ault #Normandy #Picardy #foreshore #estran #tidal #swing #zone #Alabaster #sea #spring #France #BriannaTam #Artlist #music #1minute #TheOneMinutes #Collection #SoundVision #TakeNode #1Memo #michelvanderburg #MiraclesMedia

ISSN 2949-9313 Registration Settela•Com | 20221126

Settela•Com | ISSN 2949-9313 Registration – as ongoing integrating resource published by Miracles.Media (Netherlands) confirmed by the ISSN Centre of the Koninklijke Bibliotheek – the Netherlands National Library, Friday, 25th Nov 2022.
Settela•Com aims to online document and facilitate research of the Westerbork images, the use of the film in other works, the context of the camp and of the war in the Netherlands, and the destruction of diversity.
Settela•Com was made public with the first publication on May 19, 2019 — 75 years after the deportation of the Sinti girl Settela Steinbach from camp Westerbork was filmed — with the online premiere of the new one-minute film ‘Settela’.
From that first publication, contributions are published irregularly, with an average frequency of about once a month, mainly in English and Dutch, on the settela.com website.
Settela•Com welcomes contributions (English, Dutch, French) by submission of posts, papers, suggestions, or proposals within the scope of the platform.
ISSN Registration | 20221126 | Settela•Com | ISSN 2949-9313
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