Discoveries Deportation Westerbork Film • 20250224

Discoveries Deportation Westerbork Film • 20250224 • The boy, the man, and the woman selected in this edited still of the linked video clip (15 s) URL https://youtube.com/clip/UgkxBw3eso6Bi3vIaR25h_bDWRHSx5EfMylN

Utrecht family identification , almost complete…

Almost certainly, three Jewish people have been recognized in the unique Westerbork film from 1944 (1). This time it concerns the 9-year-old boy Israël Wijnschenk, his father Max Wijnschenk, and his grandmother Betje Kokernoot-van Furth, who all lived in Utrecht (Holland).

Last week, the Dutch public broadcaster NOS (2) reported the news from the Utrecht (Dutch) news site Nieuws030 (3) that it is very likely that three people were recognized again in this film made by the Jewish prisoner and filmmaker Rudolf Breslauer showing the deportation of Jews, Roma and Sinti by train in Camp Westerbork on May 19, 1944.

Image researcher Koen Hulsbos — who previously identified an Amsterdam couple in this deportation train (4) — thought he recognized the young Israël Wijnschenk, a pupil at the time of the Joodse (Jewish) School Utrecht, and presented this to Victor Frederik, researcher of the Joodse School (5,6). The boy, the man, and the woman seem to belong together, and were recognized from family photos, also by family members.

It is certain that Max and his wife Chel (not in the images) returned to Utrecht after the war, their children Israël and his sister Kitty were murdered. Grandma Betje was also gassed in Auschwitz.

A portrait of Israël Wijnschenk is shown at the site of Joods Monument (7).

According to the transport list, there were two other children in that wagon, Joseph Beugeltas (11 years old) and Manfred Studzinsky (7 years old). Joseph Beugeltas appeared to have blond hair, and could not have been it (6). To be completely sure, the researchers are still looking for a photo of Manfred Studzinsky, for comparison…

Notes

1) Deportation Westerbork Film • Edition 2021 | 20210719 | Settela•Com | ISSN 2949-9313 | Footage filmed by Rudolf Breslauer in 1944, courtesy of NIOD | Sound and Vision . URL https://settela.com/2021/07/19/deportation-westerbork-film-20210719/

2) Utrechters ‘vrijwel zeker’ herkend op Westerborkfilm uit 1944. NOS Nieuws Feb 22, 2025. URL https://nos.nl/l/2556858

3) Nieuwe herkenningen in Westerborkfilm ‘bijna zeker’. Jim Terlingen | Nieuws030 . URL https://www.nieuws030.nl/hist030rie/drie-nieuwe-herkenningen-in-westerborkfilm-zo-goed-als-zeker/

4) Amsterdam couple found in Westerbork film • 20241223 | Settela•Com | ISSN 2949-9313 | URL https://settela.com/2024/12/23

5) Joodse school Utrecht. Website. URL https://joodseschoolutrecht.nl

6) Israël op Westerborkfilm? Victor Frederik- Web site Joodse school Utrecht. (Accessed 20250224). URL https://joodseschoolutrecht.nl/nl/Verhalen-over-leerlingen/Kitty-en-Israel-Wijnschenk/Israel-op-Westerborkfilm/

7) Portrait of Israël Wijnschenk. Site Joods Monument. URL https://www.joodsmonument.nl/nl/page/122045/israël-wijnschenk

Citation info : Discoveries Deportation Westerbork Film • 20250224 | Settela•Com | ISSN 2949-9313 | URL https://settela.com/2025/02/24/

Amsterdam couple found in Westerbork film • 20241223

The Dutch national broadcaster NOS (1) and the local RTV Drenthe (2) reported this morning (23 Dec 2024) that 2 more people have been recognized in the Westerbork film.

It is the Amsterdam couple Marcus Pels and Hendrika Brandon. They were identified by the image researcher Koen Hulsbos – volunteer working at the Behind the Star project of the NIOD Institute for War, Holocaust and Genocide Studies .

The Jewish photographer and filmmaker Rudolf Breslauer, while a prisoner in the Westerbork transit camp in the Netherlands, was commissioned by camp commander Albert Gemmeker to make film recordings for the Westerbork film in the spring of 1944, featuring images of a deportation train.

The NOS broadcast referred to images in the first published Westerbork film (3)The film can be viewed in its entirety on YouTube. After just under 5 minutes 🔗
a man with a hat can be seen looking into the camera with a smile, and next to him a woman with black, slightly wavy hair can be seen from behind. The same couple appears again at 6 minutes 🔗 . It turned out to be the Amsterdam couple Marcus Pels and Hendrika Brandon.

Pels & Brandon Clip 1 & 2

Also available on YouTube is the more recent second Westerborkfilm (4). This 2021 edition has the recently found original camera rolls of the deportation transport (Reel E198), with higher quality images of the couple.

20241223_1 | Settela•Com | Pels & Brandon Clip 1 after 20 min 🔗


20241223_2 | Settela•Com | Pels & Brandon Clip 2 after 21 min 🔗

That’s it

Hulsbos had already had photos of Marcus Pels and Hendrika Brandon in his collection of images of prisoners who were transported on that day – May 19, 1944 – when Breslauer films the deportation of Jews, Roma and Sinti to Bergen-Belsen and Auschwitz.

“I’ve seen the film many times, but at one point I thought, ‘Hey, this couple is on screen twice.’ I had never really noticed that before,” says Hulsbos.

Hulsbos then compared the film footage with his photos. “And then I thought: that’s it,” says the amateur film historian.

Marcus Pels was murdered immediately after arriving in Auschwitz. Hendrika Brandon survived the war, as did their daughter and son, who were in hiding with a foster family. Katy (Keetje, 86 years old) and Philip (83) are still alive and live in Canada. They were shown the film footage and confirmed that they were their parents.

“They don’t remember their father. So to actually see images of him, to see him just walking around alive, there are no words to describe it,” granddaughter Lisa Kaufman said as a family spokesperson. “It was very special to see my grandmother, who I grew up with.”

Anonym | Girl with the headscarf …

In the Westerbork film, Hendrika looks at the woman on the stretcher, who was recognized in the 1990s through her suitcase as Frouwke Kroon, and thus was the key to identifying this transport and thus also to the name of the anonymous girl with the headscarf between the wagon doors – Settela (5,6).

Deportation Breslauer family

Earlier this year it was reported that filmmaker Rudolf Breslauer had also filmed two of his children , Stefan , and Ursula Breslauer in the Westerborkfilm at the farm (7).

Werner Rudolf Breslauer , his wife Bella Weihsmann, sons Stefan and Max Michael (Mischa), and daughter Ursula were deported later in 1944 from Westerbork to Theresienstadt and Auschwitz. Only Ursula survived.

Notes

1) Twee mensen herkend in Westerborkfilm: ‘Kan niet missen’ | NOS Nieuws • Dec 23, 2024 09:45 | URL https://nos.nl/artikel/2549390-twee-mensen-herkend-in-westerborkfilm-kan-niet-missen

2) Nieuwe ontdekking in Westerbork-film: Amsterdams echtpaar krijgt gezicht | RTV Drenthe • Dec 23, 2024 07:10 | URL https://www.rtvdrenthe.nl/nieuws/17091818/nieuwe-ontdekking-in-westerbork-film-amsterdams-echtpaar-krijgt-gezicht

3) Westerbork Film | Full version RVD 1986 | 20190605 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | URL https://settela.com/2019/06/05/westerbork-film-full-version-rvd/

4) Westerbork Film 🎦 2021 | 20220302 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | URL https://settela.com/2022/03/02/westerbork-film-🎦-2021-complete-remastered-edition-20220302/

5) ANONYM | Girl with the headscarf … | 20210416 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | URL https://settela.com/2021/04/16/anonym-girl-with-the-headscarf-20210416/

6) ANONIEM | Meisje met hoofddoekje … | 20210417 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | URL https://settela.com/2021/04/17/anoniem-meisje-met-hoofddoekje-20210417/

7) Stefan & Ursula Breslauer in Westerborkfilm | 20240305 | Settela•Com | ISSN 2949-9313 | URL https://settela.com/2024/03/05

Citation info : Amsterdam couple found in Westerbork film • 20241223 | Settela•Com | ISSN 2949-9313 | URL https://settela.com/2024/12/23

Stefan & Ursula Breslauer in Westerborkfilm | 20240305

Stefan & Ursula Breslauer in Westerborkfilm | 20240305 – Clip from : Westerbork Film 🎦 2021 | 20220302 | Settela•Com | URL https://youtube.com/clip/UgkxdcMjzZQcH8jOtp1j2xFwrPxyAoHMcdFr

Filmmaker Rudolf Breslauer also filmed two of his children in the Westerborkfilm…

Stefan (left) & Ursula Breslauer, children of Rudolf Breslauer, the filmmaker of the Westerbork film at the farm of Camp Westerbork in 1944 – identified by the dutch photographer Sake Elzinga, who received Breslauer’s family photo albums last year when the family of Ursula – the only survivor – visited an expo on Breslauer in the Westerbork museum in the Netherlands.

Camp commander (SS-Obersturmführer) Albert Gemmeker ordered the Westerbork film , made by the German Jewish prisoner, photographer, Rudolf Breslauer in the spring of 1944.

Today 80 years ago – March 5, 1944 – the camp is an ‘Arbeitslager’ – a work camp – when Rudolf Breslauer starts filming the daily life of the Westerbork prisoners — inside : in the barracks, for example a religious service, cabaret, workshops, factories, aircraft and battery recycling, medical care, and outside the barracks : construction of a greenhouse, a football match, women working out, chopping wood, incoming transports, and eventually also the departure of a deportation train. After Breslauer films the deportation of Jews, Roma and Sinti to Bergen-Belsen and Auschwitz on May 19, 1944 the filming stops.
The haunting image of the 9-year-old dutch Sinti-girl Settela, standing in the closing doors of the goods train, and the unique footage of that deportation train that leaves the Westerbork camp, became iconic after the war.

Deportation Breslauer family

Werner Rudolf Breslauer , his wife Bella Weihsmann, sons Stefan and Max Michael (Mischa), and daughter Ursula were deported autumn 1944 from Westerbork to Theresienstadt and Auschwitz. Only Ursula survived.

Stefan & Ursula Breslauer in Westerborkfilm | 20240305 | Settela•Com | Frame 127475 from Westerbork Film 🎦 2021 | 20220302 | Settela•Com | ISSN 2949 9313 | Footage filmed by Rudolf Breslauer in 1944, courtesy of NIOD | Sound and Vision

Notes

Clip from : Westerbork Film 🎦 2021 | Complete Remastered Edition | YouTube https://youtu.be/ZiLNDziwEtc

Westerbork Film 🎦 2021 | 20220302 | Settela•Com | URL https://settela.com/2022/03/02/westerbork-film-🎦-2021-complete-remastered-edition-20220302/

Kinderen van filmmaker Breslauer herkend in historische Westerborkfilm. Dutch national news broadcaster NOS Nieuws, in cooperation with RTV Drenthe, 13:18 Monday 4 March 2024 | URL https://nos.nl/artikel/2511414-kinderen-van-filmmaker-breslauer-herkend-in-historische-westerborkfilm

Scene with Stefan & Ursula Breslauer, starting at 56:13 in the 1986 RVD edition of the Westerborkfilm:
Stefan & Ursula Breslauer in Westerbork Film RVD | 20240305 | Settela•Com | URL https://youtube.com/clip/UgkxfNzA72JeGgVoOFp_VTI4EQQr3yTwXu6_

Settela Film | 20220630 | Michel van der Burg | Settela•Com

Deportation Westerbork Film | 20210719 | Michel van der Burg | Settela•Com

English introduction to Westerborkfilm :
Westerborkfilm Introduction | 20220507 | Michel van der Burg | Settela•Com | URL https://settela.com/2022/05/07/westerborkfilm-introduction-20220507/

Citation info : Stefan & Ursula Breslauer in Westerborkfilm | 20240305 | Settela•Com | ISSN 2949-9313 | URL https://settela.com/2024/03/05

Douane | Falaise #159 | 20230825

Douane | Falaise #159 | 20230825 | 1-memo•com | TakeNode 040c3e57-9616-40b6-804e-46ba979c496c |
The Customs Road – Chemin des Douanier – ca 1923 on the chalk cliffs of Ault (Picardy, France), with a distant view at the Normandy chalk cliffs of Le Tréport. This Chemin des Douanier path is part of the several 1000s of kilometers long customs trail along the French coast created in the late 1700s to fight smuggling, illegal trade and fraudulent landings. Postcard made by the Ault photographer Maurice Lévêque. Image edited from scan dated July 21, 1923 in the Archives de la Somme (#8FI2408). Postcard was compared with a recent photo in yesterday’s video post (Falaise #158)

TAGS #Ault #Onival #history #1900s #postcard #photographer #Maurice #Lévêque #Picardy #Picardie #Tréport #Normandy #falaise #coast #Somme #chalk #cliff #tides #shoreline #foreshore #estran #tidal #swing #zone #Alabaster #sea #France #1Memo #michelvanderburg

Swipe 100 Years Ault | Falaise #158 | 20230824


Swipe 100 Years Ault | Falaise #158 | 20230824 | 1-memo•com | CC BY-NC-SA 2.0 | TakeNode 7a64ac62-736d-4b49-b85e-87caccde78e2 | View from Ault at the Picardy and Normandy coast chalk cliffs (falaises) from Ault to Le Tréport in an image* taken 100 years ago by the Ault photographer Maurice Lévêque in a slide comparsion with a recent image** — thanks to *Marc LEPAN (mlepan) and **Martial JUERY (maju38) at Geneanet.

TAGS #swipe #slideshow #Ault #Onival #history #1900s #postcard #photographer #Maurice #Lévêque #Picardy #Picardie #Normandy #Tréport #falaise #coast #Somme #chalk #cliff #tides #shoreline #foreshore #estran #tidal #swing #zone #Alabaster #sea #France #1Memo #michelvanderburg

Atelier Photographer Lévêque | Falaise #157 | 20230823

Atelier Photographer Lévêque | Falaise #157 | 20230823 | 1-memo•com | TakeNode cae00c35-3210-4f21-932b-f7b04be5faea | Atelier Photographer Maurice Lévêque at 26 Grande Rue, Ault (Somme) France, date ca 1905 – 1913 (edited; original from Archives de la Somme #8FI2383).

Thanks to Maurice Lévêque’s postcards we now have many early 1900s images from the Picardy seaside resorts Onival and Ault, where he opened his atelier in 1905 at 26 Grande Rue. I found his atelier today in this postcard of the Grande Rue in Ault, he made before WW1. One of his postcards “3. – AULT. – La Plage et les Falaises, côté Cayeux” — which by the way shows 28. Grande-Rue — that was sent Aug 28th 1911 by Maria … was used in my recent film illustrating erosion of the coast over the last 100 years (see : Erosion Cliffs Ault 1911-2022 | Falaise #154 | 20230814 | 1-memo•com).

TAGS #Ault #Onival #history #1900s #postcard #photographer #Maurice #Lévêque #Picardy #Picardie #falaise #coast #Somme #chalk #cliff #tides #shoreline #foreshore #estran #tidal #swing #zone #Alabaster #sea #France #1Memo #michelvanderburg

Escape Landscapes from the 20th Convoy – 236 Photo Exhibition | 20230121

236 — Land(es)capes from the 20th Convoy

Jo Struyven / Luc Tuymans

From 20 January 2023, the Jewish Museum of Belgium, in partnership with the Auschwitz Foundation, presents the exhibition entitled ‘ 236, Land(es)capes from the 20th Convoy ‘. It is set up in the museum’s project space and offers an artistic look at an exceptional and forgotten event in the Second World War.

The 20th convoy

At 10 p.m. on April 19, 1943, the 20th convoy departed from the Kazerne Dossin transit camp in Mechelen with 1,631 Jewish deportees in cattle cars, heading for Auschwitz.
Thanks to resistance actions, both inside the wagons and from outside, 236 of these deportees managed to jump from that train, that was leading them to extermination. An unique event in Europe under the Nazi administration.

Jo Struyven, photographer

The work of the Belgian photographer Jo Struyven (°Sint-Truiden, 1961) takes us back to these acts of resistance – commemorating the 80th anniversary in 2023 – and gives us a glimpse of the landscapes in which this striking story took place.
Taking the perspective of those who jumped off that train, an act for which many of them paid with their lives, Struyven creates a contemporary ‘memorial’ with 19 large ‘nocturnal’ black and white images, and one colour print.

Jo Struyven :

The 20th convoy, heading for the unspeakable “Auschwitz”, crossed the area where I grew up, barely 50 meters from my childhood bedroom — I found out 2 years ago after meeting Simon Gronowski. Ever since, I imagine the distress of the deportees. The destination was unknown to them. Some, sensing the worst, tried to escape it. I wanted to give an account of this border between life and death, between resignation and the impossibility of choosing, and the freedom regained with resistance to the oppressor’s plans.

Works presented by Jo Struyven

Land(es)capes from the 20th Convoy, 2020-2022, 19 black and white prints, 1 color print, 90×60 cm (Private collection – Belgium)

Jo Struyven, Land(es)capes from the 20th convoy 2020 2022, black and white print, 90x 60 cm, Wijchmaal (Private Collection, Belgium)

Jo Struyven, Land(es)capes from the 20th Convoy 2020-2022, black and white print, 90x 60 cm, Bierbeek (Private Collection, Belgium)

Jo Struyven, Land(es)capes from the 20th Convoy, 2020-2022, black and white print, 90x 60 cm, Borgloon (Private Collection, Belgium)

Jo Struyven, Land(es)capes from the 20th Convoy, 2020-2022, black and white print, 90x 60 cm, Piringen (Private Collection, Belgium)

Jo Struyven, Land(es)capes from the 20th Convoy, 2020-2022, black and white print, 90x 60 cm, Botzelaer (Private Collection, Belgium)

Luc Tuymans, visual artist

In dialogue with Jo Struyven’s photographs, two works by Belgian visual artist Luc Tuymans (°Mortsel, 1958) evoke the destruction of the Jews and Roma of Europe. Die Wiedergutmachung (The Reparation) depicts body parts – left the eyes of gypsy children who had been experimented on by the Nazis. … images that in its incompleteness, reflect the inability to represent facts and memory .

Works presented by Luc Tuymans

Luc Tuymans, Our New Quarters, 1986, Oil on canvas, 80,5 x 120 cm (MMK – Germany) (Photo Ben Blackwell, courtesy David Zwirner, New York, London)
Luc Tuymans, Die Wiedergutmachung, 1989, Oil on cardboard, mounted on plywood, Oil on canvas; diptych, 36,6 x 43 cm, 39,4 x 51,8 cm, courtesy: Private collection (Photo Studio Luc Tuymans)

Art after the Shoah

“Writing a poem after Auschwitz is barbaric”, wrote German philosopher Theodor W. Adorno in 1949. Through two contemporary perspectives from the visual arts, this exhibition seeks to address this question of the (im)possibility of art after the Shoah in a new way.

Testimonies & Catalogue

This exhibition will be accompanied by a catalogue book edited by Daniel Weyssow and Jo Struyven and published by the Auschwitz Foundation entitled Land(es)capes from the 20th Convoy (press release on April 19, 2023), as well as an educational space presenting the testimonies from interviews and archives of convoy escapees.

Info+ ( & Français | Nederlands)

236
Land(es)capes from the 20th Convoy
Jo Struyven / Luc Tuymans
Exhibition at the Jewish Museum of Belgium, in Brussels, Belgium
20 January – 14 August 2023
Brussels
Website https://www.mjb-jmb.org

Auschwitz Foundation, Brussels, Belgium
Website https://www.auschwitz.be/en

News

Jan 20, 2023 – Vernissage ‘236’ Land(es)capes 20th convoy.

Full report at michelvanderburg.com here : https://michelvanderburg.com/2023/01/20/vernissage-236-landescapes-20th-convoy/

Vernissage ‘236’ Land(es)capes 20th convoy | 20230120

Video report : Vernissage ‘236’ Land(es)capes 20th convoy

Thursday January 19th, 2023, the vernissage of the photo exhibition 236 — Land(es)capes from the 20th Convoy was opened with speeches by Philippe Blondin, President of the Jewish Museum, and by Pierre-Yves Jeholet , Minister-President of the Government of the Federation Wallonia-Brussels. Next, the Belgian photographer Jo Struyven presented his work — escape landscape photographs glowing in the dark — like being lit by moonlight — as well as paintings contributed by Luc Tuymans in the project space. The exhibition runs from January 20 – August 14, 2023 in the Jewish Museum of Belgium, Brussels, Belgium. Video report (20230120) Michel van der Burg | Miracles•Media .

Jan 20, 2023 – VRT | Kristien Bonneure (Belgian Flemish Broadcast) 20 jan 2023

Post and podcast interview (dutch) Jo Struyven – link https://www.vrt.be/vrtnws/nl/2023/01/18/expo-xxe-konvooi/

Updates

Sunday January 22th, 2023. Updated Museum’s poster image, and the Vernissage news item , editing text, plus embedding video.